John Donne in the Hague and the Hague at the Globe: Performing Reformation England's Religio-Political Doctrine of Perseverance

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2023-05-01 DOI:10.1215/10829636-10416670
P. Timmis
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Abstract

This essay argues that the British delegation's distinctive approach to the Reformed doctrine of perseverance at the Synod of Dort provides necessary context for two international sermons delivered by John Donne in 1619. Donne's rhetoric in these sermons, in turn, is echoed by a striking dramatization of international “current events” performed in the same year by the King's Men at the Globe Theatre. Reading John Donne's sermons at Heidelberg and the Hague alongside John Fletcher and Philip Massinger's collaborative The Tragedy of Sir John Van Olden Barnavelt, this essay demonstrates that James I's delegates at Dort, his European embassy's star preacher, and a popular London play present a richly nuanced yet harmonious public face on an international stage to an often contentious national conversation. King, church, and people speak together on the necessity of persevering in faith (within the established church), in fidelity to God-ordained civil government, and with loyalty to the European Protestant cause held in tension with a “Britain first” national exceptionalism.
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约翰·多恩在海牙与海牙在环球:实施改革英国的宗教政治坚持主义
本文认为,英国代表团在波特主教会议上对改革宗坚持不懈教义的独特态度,为约翰·多恩在1619年发表的两次国际布道提供了必要的背景。多恩在这些布道中的修辞,反过来又与同年国王剧团在环球剧院演出的对国际“时事”的惊人戏剧化相呼应。阅读约翰·多恩在海德堡和海牙的布道,以及约翰·弗莱彻和菲利普·马辛格合作的《约翰·范·奥尔登·巴纳维尔特爵士的悲剧》,本文表明,詹姆斯一世在波特的代表,他的欧洲大使馆的明星传教士,以及一部受欢迎的伦敦戏剧,在国际舞台上为经常有争议的国家对话呈现了一个丰富微妙而和谐的公众形象。国王、教会和人民一起谈论坚持信仰的必要性(在既定的教会内),忠于上帝指定的公民政府,忠于与“英国优先”国家例外论紧张的欧洲新教事业。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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