Phraseological structures in Hermann Kinder’s autobiographical novel „Der Weg allen Fleisches“ (2014)

Christian Thienel
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Abstract

Hermann Kinder’s novel contains a conspicuous number of phraseological elements, which is unusual for the writing style of this author. The article describes the accumulation of phraseological and idiomatic material and its usage as a literary stylistic resource. The analysis focuses on the relation of the linguistic appearance and the aesthetic function of the phraseologisms. Therefore, the article intends to contribute to an interdisciplinary method of interpretation, linking linguistic and literary studies. It also includes psychoanalytic concepts to describe the author’s specific linguistic expression of his autobiographical experience of illness. The aesthetic function of the phraseologisms and idiomatic phrases changes in relation to the novel’s progress. In the beginning, collocations increase the cohesion of the text in order to create an image of health. When the disease becomes more and more evident, the emotional affection of the protagonist is being controlled by formulistic linguistic elements. In addition, the author unmasks the pragmatic automatism of the medical language and the failure of its empathetic function by ironically evoking the ambiguity of idiomatic phrases. As a contrast, the narrator refers back to a comforting symbolic language by using linguistic patterns of fairy tales as an imitation of phraseological components. As a result, the analysis indicates that the inclusion of phraseological material in this literary pathobiography seems to provide a linguistic space of shelter for the suffering protagonist. The context-related, varying usage of phraseologisms in this text also seems to linguistically reflect a collective, culturally overarching psychosomatic experience of illness.
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赫尔曼·金德自传体小说《Der Weg allen Fleisches》(2014)中的短语结构
赫尔曼·金德的小说包含了大量的措辞元素,这对于这位作家的写作风格来说是不寻常的。文章描述了短语和习语材料的积累及其作为文学文体资源的使用。分析的重点是短语学的语言表象与审美功能的关系。因此,本文旨在为一种跨学科的解释方法做出贡献,将语言学和文学研究联系起来。它还包括精神分析概念,以描述作者对其自传体疾病经历的具体语言表达。习语和习语的审美功能随着小说的发展而变化。一开始,搭配增加了文本的凝聚力,以创造一个健康的形象。当疾病变得越来越明显时,主人公的情感受到形式主义语言元素的控制。此外,作者通过讽刺地唤起习语的歧义,揭露了医学语言的语用自动化及其移情功能的失败。作为对比,叙述者通过使用童话故事的语言模式来模仿措辞成分,回到了一种令人欣慰的象征语言。因此,分析表明,在这部文学悲情传记中加入措辞材料,似乎为受苦受难的主人公提供了一个庇护的语言空间。本文中与上下文相关的、不同用法的措辞似乎也在语言学上反映了一种集体的、文化上占主导地位的疾病身心体验。
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来源期刊
CiteScore
0.40
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0.00%
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0
审稿时长
19 weeks
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