Emissaries from other worlds: Asteroids, science and mythology in The Color Out of Space and the film Fireball: Visitors From Darker Worlds

Q4 Social Sciences Litteraria Copernicana Pub Date : 2021-12-31 DOI:10.12775/lc.2021.040
Laura Cánepa, Jamer Mello
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Abstract

In this paper, we suggest a speculative comparison between the short story The Color Out of Space (Howard Phillips Lovecraft, 1927) and the documentary film Fireball: Visitors From Darker Worlds (Werner Herzog and Clive Oppenheimer, 2020). We explore the similarities between Herzog’s specific interest in extreme phenomena of Nature and Lovecraftian Cosmicism. We observe that both authors have, to a certain extent, compatible views on the relationship between humans and nature: Herzog and Lovecraft seem to be interested in identifying and investigating humanity’s difficulty in coping with their insignificance when facing catastrophic events caused by indifferent Nature; both chose the same kind of landscape (iced lands, volcanic areas) and extreme natural phenomena (like meteorite falls); and they show a particular interest in characters connected to scientific experiences, and obsessed (even sometimes driven to madness) with the mysteries of nature. Our analysis does not suggest a direct influence of Lovecraft on Herzog, but a productive coincidence that can shed light on the film Fireball and its possible Lovecraftian resonances.
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来自其他世界的使者:《太空的颜色》和电影《火球:来自黑暗世界的访客》中的小行星、科学和神话
在本文中,我们建议对短篇小说《太空外的色彩》(Howard Phillips Lovecraft, 1927)和纪录片《火球:来自黑暗世界的访客》(Werner Herzog和Clive Oppenheimer, 2020)进行推测性比较。我们探讨了赫尔佐格对自然极端现象的特殊兴趣与洛夫克拉夫特宇宙主义之间的相似之处。我们观察到,两位作者对人与自然的关系的看法在一定程度上是一致的:赫尔佐格和洛夫克拉夫特似乎有兴趣识别和研究人类在面对冷漠的自然造成的灾难性事件时难以应对自己的渺小;两者都选择了相同类型的景观(冰天雪地,火山地区)和极端的自然现象(如陨石坠落);他们对与科学经验有关的人物表现出特别的兴趣,对自然的奥秘着迷(有时甚至被逼疯)。我们的分析并不表明洛夫克拉夫特对赫尔佐格有直接的影响,但这是一种生产上的巧合,可以为电影《火球》及其可能的洛夫克拉夫特共鸣提供线索。
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CiteScore
0.10
自引率
0.00%
发文量
22
审稿时长
16 weeks
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