{"title":"The I Ching as a medium: An adjectival glossary","authors":"Peter Zhang","doi":"10.1386/eme_00165_7","DOIUrl":null,"url":null,"abstract":"After presenting the I Ching as a medium, this piece goes on to reveal the characteristics of the ancient Chinese sacred book from diverse perspectives. To maintain a fast tempo, and to stay within the bounds of what counts as a probe, the entries have been explained in a suggestive rather than exhaustive manner. Put otherwise, the piece seeks to say more with less, much like how the I Ching itself communicates. Although arranged alphabetically, the entries can be read in any order. As a matter of fact, the reader may experience the shock of recognition when leaping from entry to entry aleatorily. To pay homage to McLuhan, the piece ends with a tetrad on the I Ching. The reader is encouraged to read the piece in dialogue with ‘McLuhan and the I Ching: An interological inquiry’, ‘Flusser and the I Ching’ and ‘Focal knowledge, medium bias, and metamedium’.","PeriodicalId":36155,"journal":{"name":"Explorations in Media Ecology","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Explorations in Media Ecology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/eme_00165_7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
After presenting the I Ching as a medium, this piece goes on to reveal the characteristics of the ancient Chinese sacred book from diverse perspectives. To maintain a fast tempo, and to stay within the bounds of what counts as a probe, the entries have been explained in a suggestive rather than exhaustive manner. Put otherwise, the piece seeks to say more with less, much like how the I Ching itself communicates. Although arranged alphabetically, the entries can be read in any order. As a matter of fact, the reader may experience the shock of recognition when leaping from entry to entry aleatorily. To pay homage to McLuhan, the piece ends with a tetrad on the I Ching. The reader is encouraged to read the piece in dialogue with ‘McLuhan and the I Ching: An interological inquiry’, ‘Flusser and the I Ching’ and ‘Focal knowledge, medium bias, and metamedium’.