Crisscrossing through critical fashion studies: Inclusive and interdisciplinary intersections

IF 0.8 0 HUMANITIES, MULTIDISCIPLINARY Critical Studies in Fashion & Beauty Pub Date : 2021-12-01 DOI:10.1386/csfb_00033_2
A. Smelik, S. Kaiser
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引用次数: 1

Abstract

In this introduction to the 12.2 issue of Critical Studies in Fashion & Beauty, the editors preview and consider several crisscrossing themes across the articles and reviews: affect, the body and gender, as well as class, race, nationality and other subject positions. The articles and reviews also represent a range of places and times. Diversity and heterogeneity of themes and objects of enquiry are distinctive characteristics of critical fashion studies today. The crisscrossing of themes reflects an equal amount of crisscrossing of theories, methodologies and epistemologies in our highly interdisciplinary field. Crisscrossing can be described as intersecting paths that diverge in different directions at each crossroad or intersection. Imagine for example an irregular embroidery cross-stitch pattern: while emphasizing intersections, there may be differences in the lengths of the stitches and the ways in which they are arranged. The cross-stitches may be shaped in nonlinear formats, even more so when they are not so tidy and ‐ instead ‐ are random, abstract or ambiguous. The editors argue that the importance of ambiguity has long been a theme in critical fashion studies.
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批判性时尚研究的交叉:包容性和跨学科交叉
在第12期《时尚与美容批判研究》的介绍中,编辑们预览并考虑了文章和评论中几个交叉的主题:情感、身体和性别,以及阶级、种族、国籍和其他主题立场。这些文章和评论也代表了一系列的地点和时间。主题和研究对象的多样性和异质性是当今批判性时尚研究的显著特征。主题的交叉反映了我们高度跨学科领域中理论,方法和认识论的同等数量的交叉。交叉可以被描述为在每个十字路口或十字路口向不同方向发散的交叉路径。例如,想象一个不规则的刺绣十字绣图案:在强调交叉点的同时,针的长度和排列方式可能会有所不同。十字线可能以非线性格式形成,当它们不是那么整齐,而是随机的、抽象的或模糊的时更是如此。编辑们认为,歧义的重要性长期以来一直是时尚批判性研究的一个主题。
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来源期刊
Critical Studies in Fashion & Beauty
Critical Studies in Fashion & Beauty HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
75.00%
发文量
10
期刊最新文献
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