Semiótica de la propagabilidad: un enfoque sistemático de las imágenes virales a través de Internet

Gabriel A. Mariño
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引用次数: 4

Abstract

The paper proposes a semiotic approach to Internet memes, a discursive domain that, although it represents a key and growing form of literacy, has so far been largely ignored by semiotics. Since the early 2000s, „Internet meme‟ has referred to a wide range of culturally shared pieces of media circulating over the Internet, such as catchphrases, funny captioned pictures, and so-called „viral‟ videos. Internet memes are „spreadable‟: they are effective, dismountable, customizable, and replicable. From a semiotic perspective, they are different kinds of texts that circulate thanks to a hypertextual dissemination; namely, througha process of transformation (samples, remixes) and imitation (remakes). Their syntax displays structures that mirror their creators‟ different operations of manipulation (bricolage) and that serve as a hook to users‟ agency, inviting them in turn to spread, modify or recreate the text. At the semantic level, despite the variety of themes and figures they carry, they all feature a striking element (punctum), usually a playful one (an incongruity, a „mistake‟), which serves as a hook to users‟ engagement.
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传播符号学:互联网上病毒图像的系统方法
本文提出了一种符号学方法来研究网络模因,这是一个话语领域,尽管它代表了一种关键的、不断增长的识字形式,但到目前为止,它在很大程度上被符号学所忽视。自21世纪初以来,“互联网迷因”指的是在互联网上传播的各种文化共享媒体,如流行语、有趣的字幕图片和所谓的“病毒式”视频。互联网迷因是“可传播的”:它们是有效的、可拆卸的、可定制的和可复制的。从符号学的角度来看,它们是由于超文本传播而传播的不同类型的文本;即通过转换(样本、混音)和模仿(翻拍)的过程。它们的语法显示的结构反映了创作者的不同操作(拼凑),并作为用户代理的挂钩,邀请他们传播、修改或重新创建文本。在语义层面,尽管它们的主题和图形多种多样,但它们都有一个引人注目的元素(标点符号),通常是一个有趣的元素(不协调,一个“错误”),这是用户参与的挂钩。
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7
审稿时长
8 weeks
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