Am Fenster, in der „Küche des Wetters“: Überlegungen zu einer Poetik des Synoptischen

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT Pub Date : 2022-12-23 DOI:10.30965/25890530-05301012
Zornitza Kazalarska
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Abstract

At the Window, in the “Kitchen of the Weather”: Reflections on the Poetics of the Synoptic. The focus of this article is on the interplay between phenomenology and meteorology and its poetics in Czech and Slovak art and literature. The first part of the paper explores the possibilities of the interaction between non-meteorological and meteorological atmospheres in the interwar prose of Ivan Horváth and Milena Jesenská, using the figure of the window scene as an example. The second part of the analysis is devoted to Zdeněk Košeks autodidactic art and the “notational iconicity” (S. Krämer) of his diagrammatic archive of observations on everyday life and the weather in the 1990s. As methodological instruments for the exploration of the poetics of synoptic perception serve rhythmanalytical (H. Lefebvre), meteopoetological (M. Gamper, U. Büttner / I. Theilen) and atmosphere-oriented (G. Böhme, H.U. Gumbrecht, B. Meyer-Sickendiek) approaches.
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在窗前,在“气候厨房”里,产生了叶林的诗意
在窗边,在“天气的厨房”——对《观》诗学的思考。本文的重点是现象学和气象学及其诗学在捷克和斯洛伐克的艺术和文学之间的相互作用。本文的第一部分以窗景的形象为例,探讨了伊凡Horváth和米莱娜·杰森斯科在两次世界大战之间的散文中,非气象气氛和气象气氛相互作用的可能性。分析的第二部分致力于zdenk Košeks自学艺术和“符号象似性”(S. Krämer)他的图表档案观察日常生活和20世纪90年代的天气。作为探索天气感知的诗学的方法论工具,为节奏分析(H. Lefebvre),气象学(M. Gamper, U. bttner / I. Theilen)和大气导向(G. Böhme, H.U. Gumbrecht, B. Meyer-Sickendiek)方法提供服务。
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