What is implicit culture?

IF 1.4 3区 心理学 Q4 PSYCHOLOGY, SOCIAL Journal for the Theory of Social Behaviour Pub Date : 2022-01-09 DOI:10.1111/jtsb.12333
Omar Lizardo
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引用次数: 3

Abstract

In this paper, I examine what it means for culture, in both its personal and public forms, to be implicit. I begin by considering a recent attempt to develop a descriptive taxonomy of other people's views of practices developed by Stephen Turner. A key result is that a specific combination of claims about the properties of practices yields an ontologically problematic category, which is a candidate for elimination. Following Turner's lead, I provide my own refurbished taxonomy of practical culture that does not contain ontologically problematic members. Another key result of the initial analysis is that implicitness is a relational property presupposing at least one agent with awareness (or unawareness) of the cultural element in question. This epistemic dependence implies that only personal culture internalized by people can be coherently thought of as 'implicit' (to them). Finally, I conclude that using mentalistic versions of implicitness to characterize public culture, such as texts, language, monuments, tools, and classifications on paper, yields the same ontologically incoherent category eliminated in the first step. Following from this, I argue that it is desirable to conceptualize 'implicit' in a way that makes sense for public culture without stirring up the ghosts of collective minds and related conundrums. I propose one such (weak) version of implicitness when speaking of public culture that does not run afoul of this issue. I then return to personal culture, considering whether 'implicitness' is a unitary property of this kind, answering in the negative. This conclusion requires us to develop a principled taxonomy of the distinct ways personal culture can be ‘implicit,’ yielding personal culture that is implicit because it acquired 'automatic' status, versus personal culture that is implicit because it lacks (access) consciousness.

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什么是隐性文化?
在这篇论文中,我研究了隐性文化对个人和公共形式的意义。我首先考虑斯蒂芬·特纳(Stephen Turner)最近提出的一种关于其他人对实践观点的描述性分类法。一个关键的结果是,关于实践属性的声明的特定组合产生了一个本体论上有问题的类别,这是一个需要消除的候选类别。在特纳的领导下,我提供了我自己的实践文化的更新分类法,它不包含本体论上有问题的成员。初步分析的另一个关键结果是,内隐性是一种关系属性,前提是至少有一个主体意识到(或不意识到)所讨论的文化元素。这种认知依赖意味着,只有人们内化的个人文化才能被连贯地认为是“隐含的”(对他们来说)。最后,我的结论是,使用心灵主义版本的隐含性来描述公共文化,如文本、语言、纪念碑、工具和纸上的分类,会产生在第一步中消除的本体论上不连贯的类别。根据这一点,我认为最好以一种对公共文化有意义的方式将“隐含”概念化,而不会激起集体思想的幽灵和相关难题。在谈到公共文化时,我提出了一个这样的(弱)隐含版本,它与这个问题没有冲突。然后我回到个人文化,考虑“隐含性”是否是这种单一属性,回答是否定的。这一结论要求我们对个人文化的不同“隐性”方式进行有原则的分类,产生隐性的个人文化,因为它获得了“自动”的地位,而隐性的个人文化,因为它缺乏(访问)意识。
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来源期刊
CiteScore
3.30
自引率
14.30%
发文量
36
期刊介绍: The Journal for the Theory of Social Behaviour publishes original theoretical and methodological articles that examine the links between social structures and human agency embedded in behavioural practices. The Journal is truly unique in focusing first and foremost on social behaviour, over and above any disciplinary or local framing of such behaviour. In so doing, it embraces a range of theoretical orientations and, by requiring authors to write for a wide audience, the Journal is distinctively interdisciplinary and accessible to readers world-wide in the fields of psychology, sociology and philosophy.
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