{"title":"Exegetical Traditions and the Artes Praedicandi in the Collationes de tempore of Frater Petrus (Fourteenth Century)","authors":"D. Nodes","doi":"10.1080/13660691.2017.1368574","DOIUrl":null,"url":null,"abstract":"ABSTRACT Oklahoma City, Museum of the Bible Foundation, MS 465 is a fourteenth-century codex containing the Collationes de tempore of one Frater Petrus. The codex was designed and assembled for easy reference to individual texts and sections. The 145 Latin texts address themes derived from the liturgical readings for the Sundays and moveable feasts of a complete year. They are collations in a strict sense, treating concise themes through a rigid pattern of division and subdivision of topics that are illuminated by equally systematic forms of amplification. Their pattern closely resembles the layout for collations described in the Ars faciendi sermones of Geraldus de Piscario (fl. 1330s).","PeriodicalId":38182,"journal":{"name":"Medieval Sermon Studies","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13660691.2017.1368574","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Medieval Sermon Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13660691.2017.1368574","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
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Abstract
ABSTRACT Oklahoma City, Museum of the Bible Foundation, MS 465 is a fourteenth-century codex containing the Collationes de tempore of one Frater Petrus. The codex was designed and assembled for easy reference to individual texts and sections. The 145 Latin texts address themes derived from the liturgical readings for the Sundays and moveable feasts of a complete year. They are collations in a strict sense, treating concise themes through a rigid pattern of division and subdivision of topics that are illuminated by equally systematic forms of amplification. Their pattern closely resembles the layout for collations described in the Ars faciendi sermones of Geraldus de Piscario (fl. 1330s).
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