Retro dystopia in Turkish cinema: A mouthless girl in the shadows speaks through the antenna

IF 0.2 0 FILM, RADIO, TELEVISION Science Fiction Film and Television Pub Date : 2023-06-29 DOI:10.3828/sfftv.2023.7
Özgür Çalişkan
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引用次数: 0

Abstract

Abstract:Generally speaking, the sf genre historically manifested in Turkish cinema through low-budget adaptations of Hollywood narratives with local characters and stories. After the 1990s, however, Turkish cinema explored original narratives, especially sf texts where the comedic and dramatic modes dominated. Moreover, an increasing number of original sf and dystopian films have been produced in Türkiye in the last decade in accordance with increased technology and the globalization of the contemporary moment. This article analyzes the dystopian films Girl with No Mouth (2019), The Antenna (2019), and In the Shadows (2020) to discuss the historical relationship of Turkish cinema with sf in the context of the genre’s cinematic language regarding technology, culture, utopia, dystopia, and disaster. As a result, the features of the concept of the “retro dystopia” and its relationship with these films are revealed.
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土耳其电影中的复古反乌托邦:阴影中一个口齿不清的女孩通过天线说话
摘要:一般来说,sf类型在土耳其电影中的历史表现是通过低成本改编好莱坞叙事与当地人物和故事。然而,在20世纪90年代之后,土耳其电影探索了原创叙事,尤其是喜剧和戏剧模式占主导地位的科幻小说文本。此外,在过去十年中,随着技术的发展和当代全球化,土耳其制作了越来越多的原创科幻电影和反乌托邦电影。本文分析了反乌托邦电影《无口女孩》(2019)、《天线》(2019年)和《阴影中》(2020年),以探讨土耳其电影与科幻电影在技术、文化、乌托邦、反乌托邦和灾难等电影语言背景下的历史关系。由此揭示了“复古反乌托邦”概念的特征及其与这些电影的关系。
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Science Fiction Film and Television
Science Fiction Film and Television FILM, RADIO, TELEVISION-
CiteScore
1.00
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发文量
31
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