Telematic Sublime: anti-racist Zoom play in the time of COVID-19

Yulia Gilich
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Abstract

ABSTRACT In Search of the Sublime (The Sublime) is a telematic play, written and directed by Kara-Lynn Vaeni. Responding to the conditions of the COVID-19 pandemic, The Sublime was staged on the videoconferencing platform Zoom. While Zoom presented Vaeni with ethical issues and technical challenges, ultimately the platform allowed for creative approaches to the hybrid live-virtual performance. In inventive ways, Vaeni incorporated anti-racist production practices and utilized Zoom’s functions and affordances to engage the audience. In The Sublime, telematic technologies challenged the static roles of performers and viewers, producing the cast as spectators and the audience as co-creators of the piece.
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Telematic Sublime:新冠肺炎时代的反种族主义Zoom游戏
摘要《寻找崇高》(the Sublime)是一部由卡拉·林恩·瓦尼编剧和导演的电视剧。为了应对新冠肺炎大流行的情况,the Sublime在视频会议平台Zoom上上演。虽然Zoom向Vaeni提出了道德问题和技术挑战,但最终该平台允许采用创造性的方法进行混合现场虚拟表演。Vaeni以创造性的方式融入了反种族主义的制作实践,并利用Zoom的功能和启示来吸引观众。在《崇高》中,远程信息处理技术挑战了表演者和观众的静态角色,使演员成为观众,观众成为作品的共同创作者。
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来源期刊
International Journal of Performance Arts and Digital Media
International Journal of Performance Arts and Digital Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.70
自引率
0.00%
发文量
29
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