Allison Kwesell, Yufei Wu, Dechen Lama, Shuyang Lin
{"title":"Photographs and COVID-19: The therapeutic quality of shared narratives and collective memory","authors":"Allison Kwesell, Yufei Wu, Dechen Lama, Shuyang Lin","doi":"10.1177/20570473231158813","DOIUrl":null,"url":null,"abstract":"Mainstream media photographically documented intimate and difficult moments of COVID-19 while also publishing hopeful images. These spanned from intubation, death, and facial bruising from personal protective equipment to Italians harmonizing in song and nightly balcony cheers for US health workers. At the same time, people were documenting and sharing their own experiences across social media. Past research suggests impactful photographs elicit stimuli that can slow people’s psychological recovery or offer a therapeutic quality that incites post-traumatic growth. Despite a large body of research that examines visual framing with media photographs, few studies examine the ways in which viewing photographs of disaster influences disaster survivors, and to our knowledge, no studies examine this during an unfolding trauma in a world in which the survivors themselves digitally archive the event through images. The present panel longitudinal study seeks to investigate this gap by better understanding the impact of COVID-19 photographs through employing a visual self-narrative approach and photo-elicitation interviews. Fifty-seven participants were recruited in May 2020 and 35 repeat participants were recruited in May 2021. The research examines (1) reasons people vulnerable to the pandemic may find viewing and sharing photographs important, (2) responses to shared images, and (3) changes people experience in their relationship to photographs over time. Findings suggest that participants have a drive to share their experiences and learn about others, while pandemic photographs in themselves hold more of a negative impact for the viewer as they are experiencing the pandemic, which, over time, lessens and trends toward more positive nostalgia.","PeriodicalId":1,"journal":{"name":"Accounts of Chemical Research","volume":null,"pages":null},"PeriodicalIF":16.4000,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Accounts of Chemical Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/20570473231158813","RegionNum":1,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CHEMISTRY, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Mainstream media photographically documented intimate and difficult moments of COVID-19 while also publishing hopeful images. These spanned from intubation, death, and facial bruising from personal protective equipment to Italians harmonizing in song and nightly balcony cheers for US health workers. At the same time, people were documenting and sharing their own experiences across social media. Past research suggests impactful photographs elicit stimuli that can slow people’s psychological recovery or offer a therapeutic quality that incites post-traumatic growth. Despite a large body of research that examines visual framing with media photographs, few studies examine the ways in which viewing photographs of disaster influences disaster survivors, and to our knowledge, no studies examine this during an unfolding trauma in a world in which the survivors themselves digitally archive the event through images. The present panel longitudinal study seeks to investigate this gap by better understanding the impact of COVID-19 photographs through employing a visual self-narrative approach and photo-elicitation interviews. Fifty-seven participants were recruited in May 2020 and 35 repeat participants were recruited in May 2021. The research examines (1) reasons people vulnerable to the pandemic may find viewing and sharing photographs important, (2) responses to shared images, and (3) changes people experience in their relationship to photographs over time. Findings suggest that participants have a drive to share their experiences and learn about others, while pandemic photographs in themselves hold more of a negative impact for the viewer as they are experiencing the pandemic, which, over time, lessens and trends toward more positive nostalgia.
期刊介绍:
Accounts of Chemical Research presents short, concise and critical articles offering easy-to-read overviews of basic research and applications in all areas of chemistry and biochemistry. These short reviews focus on research from the author’s own laboratory and are designed to teach the reader about a research project. In addition, Accounts of Chemical Research publishes commentaries that give an informed opinion on a current research problem. Special Issues online are devoted to a single topic of unusual activity and significance.
Accounts of Chemical Research replaces the traditional article abstract with an article "Conspectus." These entries synopsize the research affording the reader a closer look at the content and significance of an article. Through this provision of a more detailed description of the article contents, the Conspectus enhances the article's discoverability by search engines and the exposure for the research.