The Universality of Emotions?

B. Bergo
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Abstract

Having adopted Herbert Spencer’s evolutionary mechanism called survival of the fittest in Origin of Species (1859), Darwin turned his attentions to human societies and the remarkable turn entailed “natural selection applying to itself its own selective law.” In this fold in natural selection, human cultures evinced altruistic behaviors as well as egotistical rivalries. With Origin published six years after Adam Smith’s Theory of Moral Sentiments, Darwin would argue in favor of affects like sympathy and compassion. Yet how did such affects come about and how could they be demonstrated empirically? While hesitating over the origin of instincts in selection and habituation, Darwin simultaneously worked on his “demonstration” of the universality of five basic affects (pleasure, fear, suffering or grief, rage, and disgust). Though the mechanism of transmission of moral sentiments might be in doubt, these basic affects could be read on faces, whether sketched, photographed or through epistolary descriptions. One year after the Descent of Man (1871), Darwin published his thirty-year long research as The expression of the Emotions in Man and Animals (1872). In that work, he would argue that human expressions provide us a window into the affective mind, essentially of all human cultures. This was the empirical research needed for supporting the claim for the universality of human emotions. The work inaugurated a debate still current today centered on the role of culture in bodily semiosis. Surprisingly, Darwin aligned anxiety with grief rather than fear and suffering.
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情感的普遍性?
达尔文采用了赫伯特·斯宾塞(Herbert Spencer)的进化机制,即《物种起源》(1859)中的适者生存,他将注意力转向了人类社会,这一显著的转变意味着“自然选择适用于自己的选择律律”。在自然选择的这一过程中,人类文化表现出了利他主义行为和利己主义竞争。随着《起源》在亚当·斯密的《道德情操论》出版六年后,达尔文将支持同情和同情等情感。然而,这种影响是如何产生的,又如何通过经验来证明呢?在犹豫本能在选择和习惯化中的起源时,达尔文同时致力于“证明”五种基本影响(快乐、恐惧、痛苦或悲伤、愤怒和厌恶)的普遍性。尽管道德情感的传递机制可能存在疑问,但这些基本影响可以从脸上读出来,无论是素描、拍照还是书信体描述。在《人类的起源》(1871年)一年后,达尔文发表了他长达三十年的研究成果《人类和动物情感的表达》(1872年)。在这项工作中,他认为人类的表达为我们提供了一扇了解情感心灵的窗口,本质上是所有人类文化的窗口。这是支持人类情感普遍性主张所需的实证研究。这项工作引发了一场至今仍在争论的焦点,即文化在身体符号学中的作用。令人惊讶的是,达尔文将焦虑与悲伤联系在一起,而不是恐惧和痛苦。
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