Re-Bound Book Covers from the Island of Piirissaar, Estonia

IF 0.1 0 ART Baltic Journal of Art History Pub Date : 2017-12-27 DOI:10.12697/BJAH.2017.14.07
A. Läänelaid, T. Ważny
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引用次数: 1

Abstract

Old Believers’ service books from the Piirissaar house of prayer in Estonia were rescued from a fire and the damaged oak boards of the wooden covers of one of the books were dendrochronologically dated back to AD 1353. The dendrochronological reference shows that the oak wood originates from East Pomerania-Gdansk region. The intriguing fact is that the book was not printed until 1879 in Moscow. The seemingly contradictory dates and locations can be explained by the adventurous history of the Old Believers sects in Russia. The Old Believers were suppressed during the Russian Orthodox Church reforms between 1652 and 1666 and many of them escaped to remote marginal areas of the empire or emigrated, e.g. to Rzeczpospolita. Due to lively communication between the Old Believers’ congregations, their literature moved from country to country. In this case, a newer book of the Old Believers was bound with old wooden covers from Poland.
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爱沙尼亚piriissaar岛的重新装订书籍封面
爱沙尼亚Piirissaar祈祷之家的老信徒服务书从火灾中获救,其中一本书的木制封面上受损的橡木板按树木年代可追溯到公元1353年。树木年代参考表明,橡木来源于东波美拉尼亚-格但斯克地区。有趣的是,这本书直到1879年才在莫斯科印刷。这些看似矛盾的日期和地点可以用俄罗斯旧信徒教派的冒险历史来解释。在1652年至1666年的俄罗斯东正教会改革期间,老信徒受到镇压,他们中的许多人逃到帝国的偏远边缘地区或移民,例如Rzeczpospolita。由于旧信徒会众之间的活跃交流,他们的文学从一个国家转移到另一个国家。在这种情况下,一本新的《旧信徒》书用波兰的旧木封面装订。
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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