The Objectification of Women in V. Shantaram’s Films

Abstract

This essay looks at Jhanak Jhanak Payal Baaje (1955; hereafter JJPB), and Geet Gaya Pattharon Ne (1964; hereafter GGPN), both made by the legendary Indian filmmaker, Rajaram Vankudre Shantaram (1901–90; generally known as V. Shantaram). These two commercial films are both based on the male protagonist’s artistic talents, supported by their female counterparts’ heroic sacrifices. We introduce and then analyze their plots, using Nussbaum’s concept of objectification—personal relationships involving a constant struggle over freedom as one either treats others as objects (so undermining their freedom) or allows them to be treated by others as an object (undermining their own freedom). Either way, someone’s freedom is compromised. The films demonstrate how the female protagonists are expected to sacrifice their careers and lives for their partners—a theme first broached with the role of Sīta in the R am ayana more than two millennia ago.