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The Material Politics of Graffiti Removal 清除涂鸦的物质政治学
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-08-27 DOI: 10.1080/08949468.2024.2366675
Jérôme Denis, David Pontille
While anti-graffiti policies have been examined in various places, the concrete conditions of graffiti removal remain largely unexplored. Based on ethnographic fieldwork, this article considers a g...
虽然各地都对反涂鸦政策进行了研究,但对清除涂鸦的具体条件却大多未加探讨。本文在人种学实地调查的基础上,考虑了一个国家的...
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引用次数: 0
“The People’s Garibaldi”: Twentieth-Century Politics of a Risorgimento Icon "人民的加里波第":革命偶像的二十世纪政治学
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-08-27 DOI: 10.1080/08949468.2024.2366678
Rosario Perricone
Garibaldi epitomizes the Italian Risorgimento also on an iconographical level. With particular reference to Sicily in the 20th century, this article aims at analyzing first some aspects of an often...
加里波第(Garibaldi)也是意大利大革命的标志性人物。本文特别以 20 世纪的西西里岛为背景,首先分析了加里波第的某些方面。
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引用次数: 0
Into the Twentieth Century: Science and Entertainment, Two Realms Apart? 进入二十世纪:科学与娱乐,两个截然不同的领域?
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-08-27 DOI: 10.1080/08949468.2024.2366652
Paul Hockings
The year 1895 saw a multitude of crucial inventions worldwide, one of which was the cinema. Within a few years it had become the basis of a major entertainment industry, though documentary films oc...
1895 年,世界上出现了许多重要的发明,其中之一就是电影。在短短几年内,电影就成为了主要娱乐产业的基础,尽管纪录片也在不断发展。
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引用次数: 0
The Work of Craft in the Age of Mechanical Reproduction: The Lai Xá Photography Village in Vietnam 机械复制时代的手工艺作品:越南黎刹摄影村
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-06-12 DOI: 10.1080/08949468.2024.2333678
Laurel Kendall, Nguyễn Văn Huy, Bùi Thu Hoà
In Lai Xá Village, Vietnam, studio photography is the village handicraft. Counter to Walter Benjamin’s characterization of the click of a button, privileging eye over hand, but typical of many craf...
在越南黎刹村,照相馆摄影是村里的手工艺品。与沃尔特-本雅明(Walter Benjamin)对 "点击按钮 "的描述相反,这里的摄影重眼轻手,是许多手工艺品的典型特征。
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引用次数: 0
Epistemology of the Ethnographic Image: Hybridizing Genre in South Sudan’s Autobiographical Cinema 人种图像的认识论:南苏丹自传电影中的混合体裁
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-06-12 DOI: 10.1080/08949468.2024.2334192
Addamms S. Mututa
Many of us consider ethnographic and biographical films as fixed categories, serving differentiated knowledge schemas. Yet, in the context of autobiographical filmmaking, the categories overlap, an...
我们中的许多人都认为人种学电影和传记电影是固定的类别,服务于不同的知识图式。然而,在自传体电影制作的背景下,这两个类别相互重叠,并在电影制作中发挥着重要作用。
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引用次数: 0
Photographing the Igbo Funeral: The Materiality of its Performance 拍摄伊格博葬礼:葬礼表演的物质性
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-06-12 DOI: 10.1080/08949468.2024.2330320
Okechukwu Nwafor
This essay is a re-engagement of my visual odyssey, verbal dialogues, texts, and proceedings that I have undertaken during participation in multiple burials and funeral events in past years in sout...
这篇文章是对我过去几年在南方参与多个葬礼活动期间所进行的视觉奥德赛、语言对话、文本和程序的再接触。
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引用次数: 0
Contemporary Ethnographic Aesthetics: The TikTok Turn 当代民族志美学:嘀嗒转向
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-06-12 DOI: 10.1080/08949468.2024.2330268
Lesley Nicole Braun, Anna Magdalena Vollmer Mateus
This article explores TikTok’s impact on the aesthetics of visual anthropology’s methods and highlights epistemic implications. TikTok engenders new inquiries regarding the position and role of res...
本文探讨了 TikTok 对视觉人类学方法美学的影响,并强调了其认识论意义。TikTok 引发了对res...
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引用次数: 0
Photo George, in Douala: One of the Earliest Photo Studios in Cameroon 杜阿拉的乔治照相馆:喀麦隆最早的照相馆之一
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-06-12 DOI: 10.1080/08949468.2024.2340375
Jürg Schneider
The study of one of Cameroon’s first permanent photo studios, Photo George in Douala, reveals a story of migration, social mobility, intellectual ambition, and a special ability to adapt to a chall...
通过对喀麦隆最早的永久性照相馆之一--杜阿拉的乔治照相馆--的研究,揭示了一个关于移民、社会流动、知识抱负以及适应挑战的特殊能力的故事。
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引用次数: 0
Our Toil and God’s Blessing 我们的辛劳与上帝的祝福
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-05-23 DOI: 10.1080/08949468.2024.2319020
Richard Tapper
Published in Visual Anthropology (Vol. 37, No. 2, 2024)
发表于《视觉人类学》(第 37 卷第 2 期,2024 年)
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引用次数: 0
The Crossover: Integrating Indian Sign Language with the Mudras in an Indian Classical Dance Performance Creation 跨界:将印度手语与印度古典舞表演中的 Mudras 融合在一起的创作
IF 0.2 Q3 ANTHROPOLOGY Pub Date : 2024-05-23 DOI: 10.1080/08949468.2024.2319017
Methil Devika, Babitha Justin
Indian classical dance uses a variety of non-verbal communication devices, with gestures called hasta or mudra being one of the most ancient sign languages powerful to transmit the meaning of the l...
印度古典舞使用各种非语言交流工具,其中被称为 "哈达 "或 "摩达 "的手势是最古老的手势语言之一,能有效传递舞蹈的含义。
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引用次数: 0
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