{"title":"Time, Money, and Race: Simone de Beauvoir on American Abstraction","authors":"Shannon M. Mussett","doi":"10.5195/jffp.2020.940","DOIUrl":null,"url":null,"abstract":"In 1947, Simone de Beauvoir traveled to the United States for a four-month stay, during which she toured the country extensively. Her copious notes taken during this time eventually became the travelogue, America Day by Day ( L’Amerique au jour le jour ) as well as a piece written for the May 25, 1947 edition of the New York Times Magazine , “An Existentialist Looks at Americans.” In both of these writings, Beauvoir offers an astute criticism of American culture from a foreign perspective. This paper explores Beauvoir’s treatment of American abstraction and race with three goals in mind: first, to understand the American relationship to time and money as abstractions. Ignoring the past and projecting an idealistic (but ultimately vacuous) future, leads to a strange kind of fatalism and lack of passion that profoundly impacts White and Black Americans but in distinctively different ways. The second part of the paper explores these differences through an analysis of how White Americans attempt to live with “good” consciences through the positing of and attachment to abstract values and things. This attitude, in turn, produces a largely instrumental and racist treatment of many populations, in particular, Black Americans. The final section focuses on how Beauvoir confronts the fact of her own whiteness, and in so doing undergoes the movement of race as an abstract theoretical category to one of lived embodiment.","PeriodicalId":41846,"journal":{"name":"Journal of French and Francophone Philosophy","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of French and Francophone Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/jffp.2020.940","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 1
Abstract
In 1947, Simone de Beauvoir traveled to the United States for a four-month stay, during which she toured the country extensively. Her copious notes taken during this time eventually became the travelogue, America Day by Day ( L’Amerique au jour le jour ) as well as a piece written for the May 25, 1947 edition of the New York Times Magazine , “An Existentialist Looks at Americans.” In both of these writings, Beauvoir offers an astute criticism of American culture from a foreign perspective. This paper explores Beauvoir’s treatment of American abstraction and race with three goals in mind: first, to understand the American relationship to time and money as abstractions. Ignoring the past and projecting an idealistic (but ultimately vacuous) future, leads to a strange kind of fatalism and lack of passion that profoundly impacts White and Black Americans but in distinctively different ways. The second part of the paper explores these differences through an analysis of how White Americans attempt to live with “good” consciences through the positing of and attachment to abstract values and things. This attitude, in turn, produces a largely instrumental and racist treatment of many populations, in particular, Black Americans. The final section focuses on how Beauvoir confronts the fact of her own whiteness, and in so doing undergoes the movement of race as an abstract theoretical category to one of lived embodiment.
1947年,西蒙娜·德·波伏娃前往美国停留了四个月,在此期间,她游历了整个国家。在这段时间里,她做了大量的笔记,最终写成了游记《美国的一天》(L 'Amerique au jour le jour),以及1947年5月25日在《纽约时报》杂志上发表的一篇题为《一个存在主义者看美国人》的文章。在这两部作品中,波伏娃从外国视角对美国文化进行了敏锐的批判。本文探讨了波伏娃对美国抽象概念和种族问题的处理,目的有三个:第一,理解美国人对时间和金钱的抽象关系。忽视过去,预测一个理想主义的(但最终空虚的)未来,导致一种奇怪的宿命论和缺乏激情,深刻地影响着美国白人和黑人,但方式截然不同。论文的第二部分通过分析美国白人如何试图通过对抽象价值观和事物的假设和依恋来生活在“良好”的良心中来探讨这些差异。这种态度反过来又对许多人,特别是美国黑人,造成了很大程度上的工具性和种族主义待遇。最后一部分集中在波伏娃如何面对她自己是白人的事实,并在此过程中经历了种族作为一个抽象理论范畴到一个活生生的体现的运动。