Why do electro dancers also dance on YouTube? The media logic of the cultural practices in the electro dance youth style

IF 1.8 Q2 COMMUNICATION COMMUNICATION REVIEW Pub Date : 2018-10-02 DOI:10.1080/10714421.2018.1535727
Antonio Cambra González
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引用次数: 1

Abstract

ABSTRACT The notion of media logic is one of relevance in the recent debates around mediatization theories. Fundamentally applied to macrolevel, institution-focused analysis, this notion has not often been applied to narrower domains of cultural practice nor used as a conceptual point of departure in this regard. This article puts forward a three-pronged analytical scheme for the discussion of the media logic underlying the cultural production of electro dance, a dance-based, urban youth style born in Paris and spread globally over the past decade under the influence of digital media. Ethnographic attention is paid to a group of electro dancers and their YouTube-based practices to empirically understand how the cultural and social dimensions of the youth group life are crucially shaped by emerging communication forms that respond to a specific (media) logic. The article concludes by suggesting the transferability of the proposed conceptual scheme to better understand other microlevel, group-related mediatized phenomena.
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为什么电子舞者也在YouTube上跳舞?电舞青年风格文化实践的媒介逻辑
媒体逻辑的概念是最近围绕媒体化理论争论的一个相关概念。这一概念基本上适用于宏观一级、以机构为重点的分析,但很少应用于文化实践的较窄领域,也没有作为这方面的概念出发点。电舞是一种以舞蹈为基础的城市青年风格,在数字媒体的影响下诞生于巴黎,并在过去十年中传播到全球,本文提出了一个三管其下的分析方案来探讨电舞文化生产背后的媒介逻辑。人种学关注一群电子舞者和他们基于youtube的实践,以经验理解青年群体生活的文化和社会维度是如何被响应特定(媒体)逻辑的新兴传播形式所关键塑造的。文章最后提出了所提出的概念方案的可转移性,以更好地理解其他微观层面的、群体相关的中介现象。
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来源期刊
COMMUNICATION REVIEW
COMMUNICATION REVIEW COMMUNICATION-
CiteScore
3.40
自引率
5.30%
发文量
14
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