A lógica cultural do museu tardo-capitalista

Rosalind Krauss, Leonardo Nones
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引用次数: 1

Abstract

In the light of the socio-political changes that occurred in the 1980s, especially the increasing of financial processes, this text discusses the participation of museums and cultural complexes – their intimate relationship with the then recent status of postmodern architecture, their opening to worldwide markets and the increasing specialization of its functions – in a renewed dynamic of commercialization processes, reception of art works and, above all, in the reconfiguration of the reach of aesthetic experience. Focusing on European and North American examples, the author argues about the then imminent link between the institutional appropriation of Minimalism's operations and the revisions of the disciplinary field of Art History to support the new "logic" verified in art's remarkable spaces.
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后资本主义博物馆的文化逻辑
鉴于20世纪80年代发生的社会政治变化,特别是金融过程的增加,本文讨论了博物馆和文化综合体的参与——它们与当时后现代建筑的密切关系,他们对世界市场的开放及其功能的日益专业化&在商业化进程的新动力中,在艺术作品的接受中,最重要的是,在审美体验范围的重新配置中。作者以欧洲和北美的例子为中心,讨论了极简主义运作的制度挪用与艺术史学科领域的修订之间当时迫在眉睫的联系,以支持在艺术非凡空间中验证的新“逻辑”。
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来源期刊
ARS
ARS
CiteScore
0.10
自引率
0.00%
发文量
8
审稿时长
12 weeks
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