Book Review

Abstract

With ten essays and an editorial introduction, Black Bodies and Transhuman Realities: Scientifically Modifying the Black Body in Posthuman Literature and Culture, edited by Melvin G. Hill, offers an array of insightful perspectives on the intersections of science, technology, and Black subjectivity, particularly in works of African American literature and culture. Focused on American histories and experiences of race, these essays present compelling frameworks for examining Black identity and being in an effort to transcend and enhance the human—understood as “transhumanism”—through medical, algorithmic, digital, and other technologies. The collection’s focus on transhumanismmeans that the essays also touch on the debates surrounding posthumanism and Afrofuturism. Several essays focus on the problems and possibilities that arise from miscegenation and reproduction, which the authors argue can be read as transhumanist technologies for modifying the human. In the case of the British colonies in the Caribbean, Md. Monirul Islam (Chapter One) shows how racial mixing was proposed as a new method of colonial subject formation and control, the thinking being that “miscegens” would embody both European intellect and African strength to improve production in the plantations. Miscegenation would also hinder any slave rebellions organized on the basis of skin color. In an instance of undermining the biological fixtures of race, Melvin G. Hill (Chapter Five) presents George S. Schuyler’s Black NoMore (1931[reprint Dover 2011]) as an Afro-transhumanist novel in which its protagonist, Max Disher, who is Black, undergoes genetic transformation to become white. This subsequently upends the racial and racist binaries that define the United States, which later culminates in white nativist riots. These essays contend that the Black self, formed through histories of slavery and racism, is already a site for transhuman endeavors, imagination, and disruption.