The Female Voice in Low budget, independent cinema of Australia: Strange Colours, The Second & Hot Mess

IF 0.4 0 FILM, RADIO, TELEVISION Studies in Australasian Cinema Pub Date : 2021-09-02 DOI:10.1080/17503175.2021.1993651
Phoebe Hart, Mary M. Leder
{"title":"The Female Voice in Low budget, independent cinema of Australia: Strange Colours, The Second & Hot Mess","authors":"Phoebe Hart, Mary M. Leder","doi":"10.1080/17503175.2021.1993651","DOIUrl":null,"url":null,"abstract":"ABSTRACT This study investigates the impediments that Australian, female, independent filmmakers face in bringing female-centred stories onto the screen. In 2016, the federal screen funding agency Screen Australia launched Gender Matters to better understand the many barriers facing women filmmakers and create opportunities for female screen creatives to gain equity in the screen industries. But how have this impacted and improved conditions for female filmmakers? The authors of this current study are female screenwriters, directors and producers who have experienced and witnessed the many difficulties women face in the Australian screen industry. The article comprises case studies of recent, successful, female, independent feature filmmakers, the AACTA Award nominated creators of Strange Colours, The Second and Hot Mess. The research explores emergent themes and recommendations based on interviews with the filmmakers. They observe that while some impediments in the low budget, independent sector continue, others have subsided and a considerable number of promising developments are emerging. Screen Australia’s Gender Matters and other initiatives by State-based screen agencies have encouraged this progress, but changes in the global socio-cultural discourse have also been influential.","PeriodicalId":51952,"journal":{"name":"Studies in Australasian Cinema","volume":"15 1","pages":"103 - 118"},"PeriodicalIF":0.4000,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Australasian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503175.2021.1993651","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

Abstract

ABSTRACT This study investigates the impediments that Australian, female, independent filmmakers face in bringing female-centred stories onto the screen. In 2016, the federal screen funding agency Screen Australia launched Gender Matters to better understand the many barriers facing women filmmakers and create opportunities for female screen creatives to gain equity in the screen industries. But how have this impacted and improved conditions for female filmmakers? The authors of this current study are female screenwriters, directors and producers who have experienced and witnessed the many difficulties women face in the Australian screen industry. The article comprises case studies of recent, successful, female, independent feature filmmakers, the AACTA Award nominated creators of Strange Colours, The Second and Hot Mess. The research explores emergent themes and recommendations based on interviews with the filmmakers. They observe that while some impediments in the low budget, independent sector continue, others have subsided and a considerable number of promising developments are emerging. Screen Australia’s Gender Matters and other initiatives by State-based screen agencies have encouraged this progress, but changes in the global socio-cultural discourse have also been influential.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
澳大利亚低成本独立电影《女声:奇怪的颜色》、《第二次和热门的混乱》
本研究调查了澳大利亚女性独立电影人在将以女性为中心的故事搬上银幕时所面临的障碍。2016年,联邦电影资助机构“澳大利亚银幕”(screen Australia)发起了“性别问题”(Gender Matters),以更好地了解女性电影人面临的许多障碍,并为女性电影创意人员创造机会,在电影行业获得平等。但这是如何影响和改善女性电影人的条件的呢?本研究的作者是女性编剧、导演和制片人,她们经历并目睹了女性在澳大利亚电影行业面临的许多困难。这篇文章包含了最近成功的女性独立电影制片人的案例研究,以及获得AACTA奖提名的《奇怪的颜色》、《第二部》和《混乱》的创作者。该研究在采访电影制作人的基础上探讨了新兴主题和建议。他们注意到,虽然低预算独立部门的一些障碍继续存在,但其他障碍已经消退,并且出现了相当数量的有希望的发展。澳大利亚电影公司的“性别问题”和国家电影机构的其他倡议鼓励了这一进展,但全球社会文化话语的变化也产生了影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Studies in Australasian Cinema
Studies in Australasian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.50
自引率
0.00%
发文量
7
期刊最新文献
By way of North: reorienting the feminine other in Australian film The impacts of ethnic and mainstream culture on Māori-themed films Mad Max and the Western ‘Falling leaves return to their roots’? The reception of Chinese blockbusters by Chinese university students in New Zealand The forgotten history of the Australian film musical: tracking the production and development of the genre in Australia
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1