As If You Were There

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Cambridge Journal of Postcolonial Literary Inquiry Pub Date : 2022-01-01 DOI:10.1017/pli.2021.31
Haun Saussy
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引用次数: 0

Abstract

What is involved in framing a counterfactual? Let’s say I have a daydream about living in Shakespeare’s time. Who would I be and what would I do? Well, I’d go to the Globe, that much I know for sure, and bring a notebook. Of course, it is impossible for me to have lived in Shakespeare’s time, for the “me” that is having this revery is the result of genealogies, circumstances, and relationships that cannot be displaced from the second half of the twentieth century without tearing apart the structure of all world history. To have this imagination, I must first assume that there is a “me” that can be transported into times and places whose definition excludes that “me.” Perhaps the concept of an essential self or soul derives from the wish to pursue such scenarios beyond the point at which they crash into inescapable contradictions.
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仿佛你就在那里
反事实框架涉及到什么?比方说,我有一个关于生活在莎士比亚时代的白日梦。我会是谁,我会做什么?好吧,我会去《环球报》,我确信这一点,并带上一本笔记本。当然,我不可能生活在莎士比亚的时代,因为拥有这种遐想的“我”是家谱、环境和关系的结果,这些都是在不撕裂所有世界历史结构的情况下,从20世纪下半叶开始无法取代的。要想拥有这种想象力,我必须首先假设,有一个“我”可以被带到时代和地方,其定义将“我”排除在外。也许本质自我或灵魂的概念源于追求这些场景的愿望,而不是它们陷入不可避免的矛盾。
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37
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