“A wife or friend at e’ery Port”

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2020-05-01 DOI:10.1215/10829636-8219626
David Aers, Sarah Beckwith, Laurie Ellinghausen
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引用次数: 1

Abstract

The “sailor ballads” of the early British Empire employ popular song not only to investigate sailors’ hardships and victories, but to explore the character attributes of seafaring men. This article argues that the range of attitudes and concerns present in these texts signals a larger cultural conversation about these men’s fitness as husbands to the nation’s women, fathers to its children, and members of its communities. Although protoimperialist and mercantilist writers such as John Dee, Robert Hitchcock, and Edward Misselden stressed the social benefits of employing common men in large-scale seafaring projects, the ballads explore the consequences of the common sailor’s presence—and most particularly, his prolonged absence—on the traditional stabilizing structures of family and community. In doing so, the ballads critically examine the potential rewards and consequences of imperial expansion from a terrestrial, local, and communal perspective.
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“任何港口的妻子或朋友”
大英帝国早期的“水手歌谣”采用流行歌曲不仅是为了调查水手的苦难和胜利,而且是为了探索水手的性格特征。这篇文章认为,这些文本中存在的各种态度和担忧标志着一场更大的文化对话,即这些男性作为国家女性的丈夫、孩子的父亲和社区成员的健康状况。尽管约翰·迪(John Dee)、罗伯特·希区柯克(Robert Hitchcock)和爱德华·米塞尔登(Edward Misselden。在这样做的过程中,民谣从陆地、地方和社区的角度批判性地审视了帝国扩张的潜在回报和后果。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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