Stranger to Profit: Waste, Loss, and Sacrifice in The Jew of Malta

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES ENGLISH LITERARY RENAISSANCE Pub Date : 2021-03-01 DOI:10.1086/713486
J. J. Marino
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引用次数: 1

Abstract

The central character in Marlowe’s Jew of Malta is not the embodiment of mercantile or proto-capitalist values that many readers have taken him for, and in fact repudiates those values. In a real sense, he is not a merchant at all. Barabas is never interested in profit or in money as it is commonly understood; he is spectacularly economically irrational from the first scene to the last. His famous celebration of “infinite riches in a little room” (1.1.37) is profoundly hostile to the very idea of money. Barabas defies economic logic, whether mercantile or Marxist, because he does not seek gain. He can best be understood through Georges Bataille’s concept of pure expenditure, the drive toward loss and waste as ends in themselves. Barabas is an enemy to profit, the scourge of Malta’s marketplace. He represents an archaic anti-Semitic fantasy that tropes Jews as economically irrational, and promotes a set of xenophobic nationalist fantasies that reject bargaining or trade. [J.M.]
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《利益的陌生人:马耳他犹太人的浪费、损失和牺牲
马洛的《马耳他犹太人》中的中心人物并不是许多读者认为的商业或原始资本主义价值观的化身,事实上,他否定了这些价值观。从真正意义上说,他根本不是一个商人。巴拉巴斯从不像一般人理解的那样对利润或金钱感兴趣;在经济上,他从头到尾都非常不理性。他著名的“一间小屋子里有无限的财富”(1.1.37)对金钱这个概念本身是非常敌视的。巴拉巴斯无视经济逻辑,无论是商业逻辑还是马克思主义逻辑,因为他不追求利益。通过乔治·巴塔耶(Georges Bataille)的纯支出概念,可以最好地理解他,将追求损失和浪费本身作为目的。巴拉巴斯是利润的敌人,是马耳他市场的祸害。他代表着一种古老的反犹太幻想,把犹太人比喻成经济上不理性的人,并宣扬一套排外的民族主义幻想,拒绝讨价还价或交易。(J.M.)
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
期刊最新文献
Sidney’s Penetrations: Metaphors and Ideas Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’ “Noe dish whose tast, or dressing, is unknown / Unto oʳ natives”: Local and Global Material Cultures in the Food Rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”
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