Four-Directional Ambisonic Spatial Decomposition Method With Reduced Temporal Artifacts

IF 1.1 4区 工程技术 Q3 ACOUSTICS Journal of the Audio Engineering Society Pub Date : 2022-12-12 DOI:10.17743/jaes.2022.0039
Elias Hoffbauer, M. Frank
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引用次数: 4

Abstract

For the creation of convincing virtual acoustics of existing rooms and spaces, it is useful to apply measured Ambisonic room impulse responses (ARIRs) as a convolution reverb. Typically, tetrahedral arrays offering only first-order resolution are the preferred practical choice for measurements, because they are easily available and processed. In contrast, higher order is preferred in playback because it is superior in terms of localization accuracy and spatial clarity. There are a number of algorithms that enhance the spatial resolution of first-order ARIRs. However, these algorithms may introduce coloration and artifacts. This paper presents an improvement of the Ambisonic Spatial Decomposition Method by using four directions simultaneously. The additional signals increase the echo density and thereby better preserve the diffuse sound field components during the process of enhancing measured first-order ARIRs to higher orders. An instrumental validation and a series of listening experiments compare the proposed Four-Directional Ambisonic Spatial Decomposition Method to other existing algorithms and prove its similarity to the best algorithm in terms of enhanced spatial clarity and coloration while producing the least artifacts.
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减少时间伪影的四方向双声空间分解方法
为了在现有房间和空间中创建令人信服的虚拟声学,将测量的双声房间脉冲响应(ARIRs)应用于卷积混响是有用的。通常,四面体阵列只提供一阶分辨率是测量的首选实用选择,因为它们易于获得和处理。相比之下,在回放中首选高阶,因为它在定位精度和空间清晰度方面更胜一筹。有许多算法可以提高一阶arir的空间分辨率。然而,这些算法可能会引入颜色和伪影。本文提出了一种双声空间分解方法的改进方法,即同时使用四个方向。在将测量到的一阶arir提高到更高阶的过程中,附加信号增加了回波密度,从而更好地保留了漫射声场分量。通过仪器验证和一系列的听力实验,将提出的四方向双声空间分解方法与其他现有算法进行了比较,并证明了其在增强空间清晰度和色彩方面与最佳算法相似,同时产生的伪影最少。
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来源期刊
Journal of the Audio Engineering Society
Journal of the Audio Engineering Society 工程技术-工程:综合
CiteScore
3.50
自引率
14.30%
发文量
53
审稿时长
1 months
期刊介绍: The Journal of the Audio Engineering Society — the official publication of the AES — is the only peer-reviewed journal devoted exclusively to audio technology. Published 10 times each year, it is available to all AES members and subscribers. The Journal contains state-of-the-art technical papers and engineering reports; feature articles covering timely topics; pre and post reports of AES conventions and other society activities; news from AES sections around the world; Standards and Education Committee work; membership news, patents, new products, and newsworthy developments in the field of audio.
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