{"title":"Making Space for Freedom: The situationist Guide to Protesting = Crear espacio para la libertad: la guía situacionista para protestar","authors":"Thomas Brasdefer","doi":"10.5944/ETFVI.13.2020.28046","DOIUrl":null,"url":null,"abstract":"AbstractUsing Guy Debord’s reaction to the Watts Rebellion of 1965 as a starting point, this article considers Situationism as an agonistic approach to power. The prime focus is on the spectacle, as it should be: by collating every force of production with every product of capitalism, Debord depicts the spectacle as a monopoly of spatial production, even in those spaces that ostensibly reject it. Out-of-focus, in the background and off-camera, those opposed to the spectacle are building an alternative social model as they ought to be, where freedom and economics are cooperatively achieved. I illustrate this dialectic with riots and protests that have occurred in the Spring of 2020, both claiming freedom from within the spectacle.","PeriodicalId":31416,"journal":{"name":"Espacio Tiempo y Forma Serie VI Geografia","volume":"1 1","pages":"17"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Espacio Tiempo y Forma Serie VI Geografia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/ETFVI.13.2020.28046","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
AbstractUsing Guy Debord’s reaction to the Watts Rebellion of 1965 as a starting point, this article considers Situationism as an agonistic approach to power. The prime focus is on the spectacle, as it should be: by collating every force of production with every product of capitalism, Debord depicts the spectacle as a monopoly of spatial production, even in those spaces that ostensibly reject it. Out-of-focus, in the background and off-camera, those opposed to the spectacle are building an alternative social model as they ought to be, where freedom and economics are cooperatively achieved. I illustrate this dialectic with riots and protests that have occurred in the Spring of 2020, both claiming freedom from within the spectacle.