Transdisciplinary Theater for the Re-enchantment of the Being and the World

Domingo Adame
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Abstract

In this communication I’m interested in answering the question about how the theatre that has transdisciplinarity as its support, can contribute to the “re-enchantment of the being and the world”, for its quite clear that the theatrical model legitimated doesn’t allow nowadays a satisfying relation with the complexity that constitutes the Subject. I will check, therefore, how the transdisciplinary principles of levels of reality, the included middle and complexity, as well as transdisciplinary attitude based on the conscious and cosmic verticality, can help giving the theatre a quality that, through the Hidden Third, allows the union between Subject and Object, meaning the “Re-enchantment of the being and the world”. I’ll reference the experiences that have affinity with this goal and I’ll point out the characteristics of what I call Transtheatre.
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重新迷醉存在与世界的跨学科剧场
在这次交流中,我有兴趣回答这样一个问题,即以跨学科为支撑的戏剧如何有助于“对存在和世界的重新着迷”,因为很明显,合法化的戏剧模式如今不允许与构成主体的复杂性建立令人满意的关系。因此,我将检查现实层次的跨学科原则,包括中间性和复杂性,以及基于意识和宇宙垂直性的跨学科态度,如何帮助赋予戏剧一种品质,通过隐藏的第三层,允许主体和客体之间的结合,这意味着“存在和世界的重新魅力”。我将参考与这一目标密切相关的经验,并指出我所称的Transtheatre的特点。
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来源期刊
Transdisciplinary Journal of Engineering  Science
Transdisciplinary Journal of Engineering Science Multidisciplinary-Multidisciplinary
CiteScore
1.00
自引率
0.00%
发文量
52
审稿时长
12 weeks
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