Arthur Rimbaud et l’expressionnisme dramatique

Q4 Arts and Humanities Romanica Cracoviensia Pub Date : 2022-06-30 DOI:10.4467/20843917rc.22.004.15636
Sebastian Ziółkowski
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Abstract

Arthur Rimbaud and Dramatic Expressionism The aim of this paper is to analyse some characteristics of the art of poetry by Rimbaud in the context of dramatic expressionism. The expressionist movement seems in fact to have inherited some concepts and motifs from the new aesthetic introduced by Rimbaud (poetic language revolution, a very personal vision of art where all the elements of the fictional world seem subordinated to fluctuations of the author’s psyche, subjectivism which abolishes the rules of the Aristotle’s mimesis, etc.). This new analytic perspective is particularly interesting because we can easily find realisation of the Rimbaudian vision of the new art of poetry in some pieces by such expressionist dramatic authors as Strindberg, Lenormand or Pellerin.
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Arthur Rimbaud与戏剧表现主义
兰波与戏剧表现主义本文旨在分析兰波诗歌艺术在戏剧表现主义背景下的一些特点。表现主义运动实际上似乎从兰波引入的新美学中继承了一些概念和主题(诗歌语言革命,一种非常个人的艺术愿景,其中虚构世界的所有元素似乎都服从于作者心理的波动,主观主义废除了亚里士多德模仿的规则,等等)。这种新的分析视角特别有趣,因为我们可以很容易地在一些表现主义戏剧作家的作品中发现兰波第对诗歌新艺术的看法,比如斯特林堡、莱诺曼和佩尔兰。
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来源期刊
Romanica Cracoviensia
Romanica Cracoviensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
18
期刊介绍: Romanica Cracoviensia to czasopismo naukowe poświęcone kulturom - literaturom i językom - romańskim, czyli francuskim, hiszpańskim, katalońskim, portugalskim, galicyjskim, włoskim, rumuńskim i wielu mniejszym romańskim obszarom językowym.
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