Na hraniciach poézie

IF 0.1 0 LITERATURE, SLAVIC Slovenska Literatura Pub Date : 2022-09-21 DOI:10.31577/slovlit.2022.69.5.1
Ivana Hostová
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Abstract

The article discusses the diversity of understanding about the category of poetry at the backdrop of the tension between substantial definitions of poetry (and the lyric) and functional and sociological approaches to literature. After addressing the limitations of Jonathan Culler’s construction of the identity of the lyric, it summarises Miroslav Červenka’s views on what constitutes poetry in an era when metre, rhyme, and other formal elements are no longer operative with regards to defining poetry. Subsequently, it provides a short discussion of sociological approaches to the study of literature in the context of other social phenomena (Pierre Bourdieu, Bruno Latour) and lists a few cases which demonstrate the way literary fame was evidently consciously created by actors and groups in the literary field (Walt Whitman, Thomas Stearns Eliot, Emily Dickinson). In the final sections, the article briefly mentions several similar examples from post-1989 Slovak poetry, addresses the ways in which modern and contemporary poetry crosses various boundaries, and introduces the articles included in this special issue of Slovenská literatúra .
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本文讨论了在诗歌(和抒情)的实质定义与文学的功能和社会学方法之间的紧张关系的背景下,对诗歌范畴的理解的多样性。在阐述了乔纳森·卡勒(Jonathan Culler)对抒情诗身份建构的局限性之后,本文总结了米罗斯拉夫Červenka关于在一个韵律、韵律和其他形式元素不再适用于定义诗歌的时代,什么构成了诗歌的观点。随后,它提供了一个在其他社会现象的背景下研究文学的社会学方法的简短讨论(皮埃尔·布迪厄,布鲁诺·拉图尔),并列出了几个例子,这些例子表明文学名声显然是由文学领域的演员和团体(沃尔特·惠特曼,托马斯·斯特恩斯·艾略特,艾米莉·狄金森)有意识地创造出来的。文章最后部分简略提及1989年后斯洛伐克诗歌的几个类似例子,探讨现当代诗歌跨界的方式,并介绍本期《slovensk literatúra》特刊所收录的文章。
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来源期刊
Slovenska Literatura
Slovenska Literatura LITERATURE, SLAVIC-
CiteScore
0.20
自引率
0.00%
发文量
57
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