Musicological Archaeology and Constança Capdeville

IF 0.4 2区 艺术学 0 THEATER TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-09-01 DOI:10.1017/S1054204322000302
Filipa Magalhães
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引用次数: 3

Abstract

In a concert of two sound worlds, one acoustic and the other electroacoustic, it is difficult to balance both sonically. When texts, lights, gestures, and movements from different artistic domains such as theatre, dance, or cinema combine with the music this coexistence creates, the result is a new language: the language of Constança Capdeville.
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音乐考古学和康斯坦帕拉·卡德维尔
在一场由两个声音世界组成的音乐会中,一个是原声的,另一个是电声的,很难在声音上达到平衡。当来自不同艺术领域的文本、灯光、手势和动作,如戏剧、舞蹈或电影,与这种共存创造的音乐结合在一起时,结果是一种新的语言:康斯坦帕拉·卡德维尔的语言。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
63
期刊介绍: TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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