Consuming and Disputing Aisha Song: The Quest for Pleasure & Islamic Romance in Contemporary Indonesia

S. Rijal
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Abstract

Abstract The increasing consumption of Islamic popular culture in Indonesia has marked the deepening Islamisation among the Muslim majority. Some scholars have observed the interplay between Islam and popular culture among Indonesian Muslim youths. However, only a few scholars have studied how a particular religious product has been debated and contested within a Muslim society. This article examines the conflicting responses over an Islamic song that describes romantic expression between the Prophet and His wife, Aisha. It focuses on three groups: popular preachers, progressive writers, and YouTube audience. This study found that while some Muslim preachers and progressive writers have criticized the song’s lyrics, most Muslim audience keep consuming the song and regard it as an ideal model of Islamic romance as expressed by the Prophet and His wife, Aisha. The various responses from the three groups represent the diversity of Indonesian Muslims with regards to Islam and popular culture. It also suggests that the Muslim consumers do not always follow the opinions of popular religious elites. The popularity of the song has resonated with the increasing aspiration among pious young Muslims who seek the basis of Islamic romance through the lives of the Prophet and His wife.    
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消费与争议:当代印尼对快乐与伊斯兰浪漫的追求
摘要印尼对伊斯兰流行文化的消费不断增加,标志着穆斯林多数群体的伊斯兰化程度不断加深。一些学者观察到伊斯兰教与印尼穆斯林青年流行文化之间的相互作用。然而,只有少数学者研究了特定的宗教产品在穆斯林社会中是如何被辩论和争论的。这篇文章探讨了对一首伊斯兰歌曲的矛盾回应,这首歌描述了先知和他的妻子艾莎之间的浪漫表达。它聚焦于三个群体:受欢迎的传教士、进步作家和YouTube观众。这项研究发现,尽管一些穆斯林传教士和进步作家批评了这首歌的歌词,但大多数穆斯林观众仍在消费这首歌,并将其视为先知及其妻子艾莎所表达的伊斯兰浪漫的理想典范。这三个群体的各种反应反映了印度尼西亚穆斯林在伊斯兰教和流行文化方面的多样性。它还表明,穆斯林消费者并不总是遵循受欢迎的宗教精英的意见。这首歌的流行引起了虔诚的年轻穆斯林越来越多的渴望,他们通过先知和他的妻子的生活来寻找伊斯兰浪漫的基础。
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来源期刊
CiteScore
2.50
自引率
16.70%
发文量
8
审稿时长
24 weeks
期刊介绍: Indonesian Journal of Islam and Muslim Societies (IJIMS): This journal should coverage Islam both as a textual tradition with its own historical integrity and as a social reality which was dynamic and constantly changing. The journal also aims at bridging the gap between the textual and contextual approaches to Islamic Studies; and solving the dichotomy between ‘orthodox’ and ‘heterodox’ Islam. So, the journal invites the intersection of several disciplines and scholars. In other words, its contributors borrowed from a range of disciplines, including the humanities and social sciences.
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