Value creation and appropriation in the live music industry: a population ecology analysis of live music ticket pricing

IF 0.6 Q4 BUSINESS Journal of Media Business Studies Pub Date : 2022-02-07 DOI:10.1080/16522354.2022.2036440
Federico Magni
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Abstract

ABSTRACT The music industry has grown to depend financially on live events, making value creation and appropriation critical. Connecting the resource-based view and organisation population ecology, this study investigates how generalist and specialist live music event producers differ in their ability to create and appropriate value. Evidence based on 631 live music events shows that generalists are able to create and appropriate more value than specialists by setting higher minimum prices and employing more price categories. The generalisability of the findings is discussed by describing which market conditions drive the effect of niche width on value creation and appropriation, identifying high fixed costs paired with a superstar effect and a heavy reliance on status as likely candidates.
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现场音乐产业的价值创造与占有:现场音乐门票定价的人口生态分析
摘要音乐产业在财务上越来越依赖现场活动,这使得价值创造和挪用变得至关重要。本研究将基于资源的观点和组织人口生态学联系起来,调查了多面手和专业现场音乐活动制作人在创造和适当价值的能力方面的差异。基于631场现场音乐活动的证据表明,多面手能够通过设定更高的最低价格和采用更多的价格类别,创造和创造比专家更多的价值。通过描述哪些市场条件推动了利基宽度对价值创造和分配的影响,确定了高固定成本、超级明星效应和对地位的严重依赖是可能的候选者,来讨论研究结果的普遍性。
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CiteScore
4.00
自引率
7.70%
发文量
10
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