C: (Maintenance) Animation is a Drag: It takes all the f****** time*

Q3 Arts and Humanities International Journal of Film and Media Arts Pub Date : 2021-12-31 DOI:10.24140/ijfma.v6.n3.06
Orla Mc Hardy
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Abstract

Animation and motherhood are parallel acts. There are striking overlaps between animation practices and the maternal time of maintenance and caregiving: repetitive acts and gestures, interruption, incremental and elongated time, the embodied experience of slow mundane practices, the durational drag of staying alongside something or someone. The pooled time of caregiving and maintenance, and the pooled time of animation production have a lot in common. In this paper, I want to pull apart some of the ways that an expanded animation practice-as-research shows how animation’s formal self-reflexiveness and media specific histories can start to reveal where value is placed (and not placed) on the time of their shared invisible labours. Possibilities emerge from thinking these invisible labours together, revealing the problematics of what constitutes a rightful subject or object of mothering, and what can be said to constitute animation. * Mierle Laderman Ukeles. Maintenance Manifesto, 1969! Proposal for an exhibition “CARE,” 1969.
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C:(维护)动画是一个拖拽:它需要所有的f******时间*
动画和母性是平行的行为。动画实践与母亲的维持和照顾时间之间有着惊人的重叠:重复的行为和手势、打断、增量和延长的时间、缓慢世俗实践的具体体验、与某物或某人呆在一起的持久性拖累。照顾和维护的集中时间和动画制作的集中时间有很多共同点。在这篇论文中,我想拆开一些扩展的动画实践的方式,因为研究表明,动画的形式自我反射性和特定于媒体的历史可以开始揭示他们共同的无形劳动的价值所在。把这些看不见的劳动放在一起思考,就有可能揭示出什么是母亲的合法主体或对象,什么可以说是动画的问题。*Mierle Laderman Ukeles。维护宣言,1969年!1969年“CARE”展览提案。
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来源期刊
International Journal of Film and Media Arts
International Journal of Film and Media Arts Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
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1
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