{"title":"Alberto Blest Gana and the Sensory Appeal of Wealth","authors":"Patricia Vilches","doi":"10.1515/culture-2021-0006","DOIUrl":null,"url":null,"abstract":"Abstract This essay explores sensory stimuli in La aritmética en el amor [Arithmetic in Love/Economics of Love] (1860) as they relate to the consumer preferences (for clothing, furniture, jewellery) and purchasing practices of nineteenth-century Santiago, Chile. The novel presents detailed descriptions, for example, of fine fabrics, emphasising the sounds that the wearers of such fabric reproduce as they move about. Wealthy or not, people feel the pressure to present themselves in their best garments, but the “best noise” is made by the rich, who transmit the affect of opulence to the less fortunate. Overall, to radiate a sensory appeal, characters frequent the city of Santiago and patronise the finest clothing stores. From our very first encounter with the protagonist Fortunato Esperanzano, he is dressed accordingly, engaging with Santiago and showing in his persona that he shops only for nice clothes and the best cigars. From a Lefebvrian perspective, Fortunato represents how Chile’s modernisation transforms the capital’s “marketplace” as a social space where a new luxury economy flourishes and a traditional, rigid social order is maintained.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"5 1","pages":"81 - 95"},"PeriodicalIF":0.5000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/culture-2021-0006","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Open Cultural Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/culture-2021-0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This essay explores sensory stimuli in La aritmética en el amor [Arithmetic in Love/Economics of Love] (1860) as they relate to the consumer preferences (for clothing, furniture, jewellery) and purchasing practices of nineteenth-century Santiago, Chile. The novel presents detailed descriptions, for example, of fine fabrics, emphasising the sounds that the wearers of such fabric reproduce as they move about. Wealthy or not, people feel the pressure to present themselves in their best garments, but the “best noise” is made by the rich, who transmit the affect of opulence to the less fortunate. Overall, to radiate a sensory appeal, characters frequent the city of Santiago and patronise the finest clothing stores. From our very first encounter with the protagonist Fortunato Esperanzano, he is dressed accordingly, engaging with Santiago and showing in his persona that he shops only for nice clothes and the best cigars. From a Lefebvrian perspective, Fortunato represents how Chile’s modernisation transforms the capital’s “marketplace” as a social space where a new luxury economy flourishes and a traditional, rigid social order is maintained.
摘要:本文探讨了La aritmtica en el amor[爱的算术/爱的经济学](1860)中的感官刺激,因为它们与19世纪智利圣地亚哥的消费者偏好(服装,家具,珠宝)和购买实践有关。例如,小说对精美的织物进行了详细的描述,强调了穿着这种织物的人走动时发出的声音。不管是否富有,人们都感到穿着最好的衣服展示自己的压力,但“最好的噪音”是由富人发出的,他们把富裕的影响传递给不那么幸运的人。总的来说,为了散发感官吸引力,人物经常光顾圣地亚哥市,光顾最好的服装店。从我们与主角Fortunato Esperanzano的第一次相遇开始,他就相应地穿着,与圣地亚哥接触,并在他的角色中显示出他只买漂亮的衣服和最好的雪茄。从列非弗尔人的角度来看,福尔图纳托代表了智利的现代化如何将首都的“市场”转变为一个社会空间,在这里,新的奢侈品经济蓬勃发展,传统的、僵化的社会秩序得以维持。