“We ain’t nothing but white trash”: The ethnography of poor whites and the politics of stigma in Zora Neale Hurston’s Seraph on the Suwanee.

IF 0.5 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY CULTURAL DYNAMICS Pub Date : 2021-11-03 DOI:10.1177/09213740211053392
Djemila Zeneidi
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Abstract

This article aims to demonstrate the documentary value of Zora Neale, Hurston’s descriptions, in her novel Seraph on the Suwanee, of the condition of the poor white US Southerners known as “crackers.” By, depicting a “cracker” woman’s upward social trajectory through, marriage, Hurston reveals the social and existential reality of this, segment of the white population. Her novel presents an objective, analysis of the crackers as a socio-historical group distinct from other, whites. However, Hurston also explores the subjective side of belonging to this discredited group by offering an account of her heroine’s experience of stigmatization.
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“我们只不过是白人垃圾”:佐拉·尼尔·赫斯顿的《苏瓦尼河上的六翼天使》中贫穷白人的人种志和耻辱政治。
本文旨在展示赫斯顿的小说《苏瓦尼河上的六翼天使》中卓拉·尼尔对被称为“炮手”的美国南方贫穷白人状况的描述的文献价值。赫斯顿通过描绘一个“饼干”女人通过婚姻向上的社会轨迹,揭示了这部分白人人口的社会和存在现实。她的小说客观地分析了作为一个不同于其他白人的社会历史群体的白人。然而,赫斯顿也通过叙述她的女主角被污名化的经历,探讨了属于这个不被信任的群体的主观方面。
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来源期刊
CULTURAL DYNAMICS
CULTURAL DYNAMICS SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
0.90
自引率
0.00%
发文量
20
期刊介绍: Our Editorial Collective seeks to publish research - and occasionally other materials such as interviews, documents, literary creations - focused on the structured inequalities of the contemporary world, and the myriad ways people negotiate these conditions. Our approach is adamantly plural, following the basic "intersectional" insight pioneered by third world feminists, whereby multiple axes of inequalities are irreducible to one another and mutually constitutive. Our interest in how people live, work and struggle is broad and inclusive: from the individual to the collective, from the militant and overtly political, to the poetic and quixotic.
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