Prowling in London: Canines in Bram Stoker’s Dracula

IF 0.5 2区 文学 0 LITERATURE STUDIES IN THE NOVEL Pub Date : 2022-12-01 DOI:10.1353/sdn.2022.0029
Ji Eun Lee
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Abstract

Abstract:Dracula first appears in front of the British public in England not as a gentleman but in the form of “an immense dog.” This article reads Bram Stoker’s Dracula (1897) in the context of human-animal encounters happening on the streets of London when the fear of rabid dogs swept the city. Victorian urban projects aimed at building an urban structure securing human control over animals. Yet this vision was disrupted by the ubiquitous presence of stray dogs in London and their alleged infection with rabies. Dracula’s and Un-Dead Lucy’s prowling in London emblematize this threat of urban stray dogs. The novel’s narratives also prowl, emulating animal intelligence in the way they rely on instant perception lacking reflection and leading to a hunt. This temporal immediacy and chasing mobility of prowling narratives envision co-evolutionary intelligence, dissolving the human-animal binary which structured the domestication, or the anthropocentric urbanization, of the city.
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徘徊在伦敦:布拉姆·斯托克《德古拉》中的犬科动物
摘要:德古拉在英国首次出现在英国公众面前,不是以绅士的形象出现,而是以“一条巨大的狗”的形象出现。本文以布拉姆·斯托克(Bram Stoker)的《德古拉》(Dracula, 1897)为背景,讲述了人们对疯狗的恐惧席卷整个城市时,人与动物在伦敦街头相遇的故事。维多利亚时代的城市项目旨在建立一个确保人类控制动物的城市结构。然而,伦敦随处可见的流浪狗和所谓的狂犬病感染打破了这一愿景。德古拉和未死的露西在伦敦徘徊,象征着城市流浪狗的威胁。小说的叙事也在潜行,模仿动物的智慧,依靠即时感知,缺乏反思,导致狩猎。这种时间上的即时性和潜行叙事的追逐移动性设想了共同进化的智能,消解了构成城市驯化或以人类为中心的城市化的人与动物二元对立。
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来源期刊
STUDIES IN THE NOVEL
STUDIES IN THE NOVEL LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
28
期刊介绍: From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.
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