Kant on Aesthetic Attention

IF 0.7 1区 艺术学 0 ART BRITISH JOURNAL OF AESTHETICS Pub Date : 2021-05-12 DOI:10.1093/AESTHJ/AYAA057
Jessica J. Williams
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引用次数: 1

Abstract

In this paper, I examine the role of attention in Kant’s aesthetic theory in the Critique of the Power of Judgment. While broadly Kantian aestheticians have defended the claim that there is a distinct way that we attend to objects in aesthetic experience, Kant himself is not usually acknowledged as offering an account of aesthetic attention. On the basis of Kant’s more general account of attention in other texts and his remarks on attention in the Critique of the Power of Judgment, I reconstruct Kant’s account of aesthetic attention. On his account, aesthetic attention is simultaneously directed at the form of an object and at the judging subject’s own mental states as she attends to the object. In the experience of beauty, we specifically attend to the harmonious relation between the faculties of imagination and understanding.
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康德论审美注意
在本文中,我在《判断力批判》中考察了注意在康德美学理论中的作用。虽然康德主义的美学家普遍认为,我们在审美经验中关注对象有一种独特的方式,但康德本人通常不被认为提供了一种关于审美注意的解释。根据康德在其他文本中对注意力的更一般的描述以及他在《判断力批判》中对注意力的评论,我重构了康德对审美注意力的描述。在他看来,审美的注意力同时指向对象的形式和判断主体在关注对象时自己的精神状态。在对美的体验中,我们特别注意想象力和理解力之间的和谐关系。
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来源期刊
CiteScore
1.60
自引率
37.50%
发文量
45
期刊介绍: Founded in 1960, the British Journal of Aesthetics is highly regarded as an international forum for debate in philosophical aesthetics and the philosophy of art. The Journal is published to promote the study and discussion of philosophical questions about aesthetic experience and the arts. Appearing quarterly - in January, April, July, and October - it publishes lively and thoughtful articles on a broad range of topics from the nature of aesthetic judgement and the principles of art criticism to foundational issues concerning the visual arts, literature, music, dance, film, and architecture.
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