Reconciling Femininities and Female Masculinities: Women’s Premarital Experiences of Breast-Binding in the Maoist Era

IF 1 4区 社会学 Q2 AREA STUDIES Modern China Pub Date : 2021-02-17 DOI:10.1177/0097700421992314
Lintong Jiao
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引用次数: 3

Abstract

The scholarly literature portrays Mao’s China as a font of gender-neutral ideals and masculine heroines, such as the “iron girl.” Although there have been few studies on breast-binding in the Maoist era, there is ample evidence it was practiced by many women. This article questions whether “defeminization,” “gender erasure,” or “gender-neutral” interpretations sufficiently explain the practice of breast-binding and women’s bodily experiences in Mao-era China. Through the analysis of in-depth interviews, periodical articles, and memoirs, this article finds that the gender-neutral framework often oversimplifies and homogenizes women’s diverse experiences. It instead argues that during the Mao era women’s bodily experiences were multifaceted and can only be understood through the reconciliation of the contradictory concepts of “femininities” and “female masculinities.” By exploring women’s silent practice of breast-binding in Mao’s China, this article yields new insight into the study of women and gender.
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调和女性气质与女性男性气质:毛时代女性的婚前束胸经历
学术文献将毛的中国描绘成一个中性理想和男性英雄的字体,比如“铁女孩”。尽管在毛时代很少有关于束缚乳房的研究,但有充分的证据表明,许多女性都有这种做法。本文质疑“排便”、“性别抹除”或“性别中立”的解释是否足以解释毛时代中国的束缚乳房的做法和女性的身体体验。通过对深度访谈、期刊文章和回忆录的分析,本文发现,性别中立的框架往往过于简单化和同质化了女性的多样经历。相反,本文认为,在毛时代,女性的身体体验是多方面的,只有通过调和“女性气质”和“女性男性气质”这两个矛盾的概念才能理解。
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来源期刊
Modern China
Modern China AREA STUDIES-
CiteScore
1.70
自引率
10.00%
发文量
26
期刊介绍: Published for over thirty years, Modern China has been an indispensable source of scholarship in history and the social sciences on late-imperial, twentieth-century, and present-day China. Modern China presents scholarship based on new research or research that is devoted to new interpretations, new questions, and new answers to old questions. Spanning the full sweep of Chinese studies of six centuries, Modern China encourages scholarship that crosses over the old "premodern/modern" and "modern/contemporary" divides.
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