“If It No Go So, It Go Near So”: Marlon James and Collective Memory

IF 0.3 2区 文学 0 LITERATURE NOVEL-A FORUM ON FICTION Pub Date : 2023-08-01 DOI:10.1215/00295132-10562799
N. T. Kortenaar
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Abstract

Marlon James's A Brief History of Seven Killings fictionalizes a historical incident, the shooting of Bob Marley in Kingston in 1976, and the larger political, economic, and cultural forces that led to it and emerged from it. Real people can enter fiction and retain their names if they have already entered history or journalism—if, in other words, they are already part of a shared imagination. But there is a difference between the local Jamaican and global collective memories, a difference that determines which people keep their names and how people are remembered. People seek to enter the imagination of others, but to do so is also to risk being hollowed out and rendered imaginable, becoming a fictional character and less than a full person. But if there is only fiction, fiction also contributes to the collective memory. An awareness of the performative nature of identity and action is precisely how one can control how one is remembered and, just as important, how one eludes the imagination of others. A Brief History adds to the collective memory of readers everywhere but recognizes that Jamaicans already have their own collective memory, that they are self-conscious about what it means to come to the attention of others, and that they have always contributed to shaping the larger collective memory, including when they do not appear in it.
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马龙·詹姆斯与《集体记忆》:《如果不是这样,就是这样
马龙·詹姆斯的《七次杀人简史》虚构了一个历史事件,1976年鲍勃·马利在金斯敦被枪杀,以及导致这一事件并从中产生的更大的政治、经济和文化力量。如果真实的人已经进入历史或新闻领域——换句话说,如果他们已经是共同想象的一部分,那么他们可以进入小说并保留自己的名字。但是,牙买加当地的集体记忆和全球的集体记忆之间存在差异,这种差异决定了哪些人保留自己的名字,以及人们如何被记住。人们寻求进入他人的想象,但这样做也有被掏空和被想象的风险,成为一个虚构的角色,而不是一个完整的人。但如果只有小说,小说也有助于集体记忆。意识到身份和行为的表演本质,正是一个人如何控制自己被记住的方式,同样重要的是,一个人如何逃避他人的想象。《简史》增加了各地读者的集体记忆,但也承认牙买加人已经有了自己的集体记忆,他们对引起他人注意意味着什么有自我意识,他们一直在为塑造更大的集体记忆做出贡献,包括他们没有出现在集体记忆中的时候。
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来源期刊
CiteScore
0.40
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期刊介绍: Widely acknowledged as the leading journal in its field, Novel publishes essays concerned with the novel"s role in engaging and shaping the world. To promote critical discourse on the novel, the journal publishes significant work on fiction and related areas of research and theory. Recent issues on the early American novel, eighteenth-century fiction, and postcolonial modernisms carry on Novel"s long-standing interest in the Anglo-American tradition.
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