{"title":"Afterword: Witness to the archive","authors":"Anna Arabindan‐Kesson","doi":"10.1080/14788810.2021.1936405","DOIUrl":null,"url":null,"abstract":"ABSTRACT This afterword uses the work of artist Patricia Kaersenhout and Black feminist scholars to reflect on the implications of working with colonial archives and their forms of erasure.","PeriodicalId":44108,"journal":{"name":"Atlantic Studies-Global Currents","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Atlantic Studies-Global Currents","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14788810.2021.1936405","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This afterword uses the work of artist Patricia Kaersenhout and Black feminist scholars to reflect on the implications of working with colonial archives and their forms of erasure.
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