{"title":"Literatura como ação e cooperação","authors":"Lucas Amaral de Oliveira","doi":"10.52780/RES.13146","DOIUrl":null,"url":null,"abstract":"In this text, I elaborate methodological reflections about an important moment of a fieldwork carried out with the Movement of Marginal Literature in Sao Paulo, Brazil. In order to do so, I present my experience in a specific instance of production, diffusion and consumption of literature, the Sarau da Brasa, a cultural collective which has emerged in the neighborhood of Brasilândia, the northern part of the city. Then I draw upon some materials obtained throughout my research, including from other events I have attended, to shed light on the way the members of the literary movement act and organize themselves. By bringing a specific peripheral literary scene to the analysis, I aim at examining the dynamics of the “saraus” (poetry slams, open mic events)which allow the emergence of writers who call themselves “marginal”, as well as the production of literary objects brought from the bonds that the agents establish with peripheral spaces. Although “saraus” have their own distinctive attributes, translated in the modus operandi, in the form of self-organization, in the format, in rituals followed during activities, and in the ideological basis behind projects, I argue in conclusion that common agencies, networks and cooperative arrangements lead them to constitute a new cultural and urban movement.","PeriodicalId":30263,"journal":{"name":"Estudos de Sociologia","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Estudos de Sociologia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52780/RES.13146","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In this text, I elaborate methodological reflections about an important moment of a fieldwork carried out with the Movement of Marginal Literature in Sao Paulo, Brazil. In order to do so, I present my experience in a specific instance of production, diffusion and consumption of literature, the Sarau da Brasa, a cultural collective which has emerged in the neighborhood of Brasilândia, the northern part of the city. Then I draw upon some materials obtained throughout my research, including from other events I have attended, to shed light on the way the members of the literary movement act and organize themselves. By bringing a specific peripheral literary scene to the analysis, I aim at examining the dynamics of the “saraus” (poetry slams, open mic events)which allow the emergence of writers who call themselves “marginal”, as well as the production of literary objects brought from the bonds that the agents establish with peripheral spaces. Although “saraus” have their own distinctive attributes, translated in the modus operandi, in the form of self-organization, in the format, in rituals followed during activities, and in the ideological basis behind projects, I argue in conclusion that common agencies, networks and cooperative arrangements lead them to constitute a new cultural and urban movement.
在本文中,我详细阐述了对巴西圣保罗边缘文学运动实地考察的一个重要时刻的方法论思考。为了做到这一点,我介绍了我在文学生产、传播和消费的一个具体例子——Sarau da Brasa——中的经验,这是一个出现在该市北部Brasilândia社区的文化集体。然后,我利用我在整个研究过程中获得的一些材料,包括我参加过的其他活动中获得的材料,来阐明文学运动成员的行为和组织方式。通过将一个特定的外围文学场景带到分析中,我旨在考察“saraus”(诗歌俚语、开放麦克风事件)的动态,这些动态允许自称“边缘”的作家的出现,以及代理人与外围空间建立的纽带所带来的文学对象的产生。尽管“saraus”有其独特的属性,体现在工作方式、自组织形式、形式、活动中遵循的仪式以及项目背后的意识形态基础上,但我认为,共同的机构、网络和合作安排使它们构成了一场新的文化和城市运动。