Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics

IF 0.6 0 MUSIC Empirical Musicology Review Pub Date : 2019-11-26 DOI:10.18061/emr.v14i1-2.6376
M. Susino, Emery Schubert
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引用次数: 12

Abstract

This research investigated whether negative emotional responses to heavy-metal and hip-hop music could be stereotypes of the music genres. It was hypothesized that heavy-metal and hip-hop music with positive lyrics would be perceived as expressing more negative (negative valence/high arousal) emotions, compared with pop music excerpts with identical lyrics. Participants listened to either two heavy-metal or two hip-hop test stimuli and two pop control stimuli. They then responded by stating what emotion they perceived that the music expressed. Results indicated that heavy-metal and hip-hop stimuli were perceived as expressing more negative emotions than pop stimuli. Lyrics were recognized above chance in both heavy metal and hip hop, suggesting that the negative emotion bias was not a result of misunderstanding the lyrics. The Stereotype Theory of Emotion in Music (STEM) explains the findings in terms of an emotion filter which is activated to simplify emotion perception processing. The conclusions provide a novel way of understanding the cultural and social contribution of emotion in music.
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重金属嘻哈音乐的消极情绪反应与积极歌词
这项研究调查了对重金属和嘻哈音乐的负面情绪反应是否可能是对音乐流派的刻板印象。有人假设,与歌词相同的流行音乐节选相比,歌词积极的重金属音乐和嘻哈音乐会被认为表达了更多的负面情绪(负价/高唤醒)。参与者听两种重金属或两种嘻哈测试刺激和两种流行控制刺激。然后,他们通过陈述他们所感知到的音乐所表达的情感来做出回应。结果表明,重金属和嘻哈刺激比流行刺激更能表达负面情绪。在重金属音乐和嘻哈音乐中,歌词都被认为是偶然的,这表明负面情绪偏见不是误解歌词的结果。音乐中情绪的刻板印象理论(STEM)从情绪过滤器的角度解释了这一发现,情绪过滤器被激活以简化情绪感知处理。这些结论为理解音乐中情感的文化和社会贡献提供了一种新颖的方式。
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