{"title":"Sin lengua: Imposibilidad, inefable y silencio en Declaración de las canciones oscuras (2019), de Luis Felipe Fabre","authors":"Juan Manuel Berdeja Acevedo","doi":"10.19130/iifl.litmex.2022.33.2.7731x06","DOIUrl":null,"url":null,"abstract":"This paper addresses how Luis Felipe Fabre, in his novel Declaración de las canciones oscuras (Sexto Piso, 2019), represents Juan de Yepes Álvarez as a writer that was “suspicious of the language.” In order to achieve this, both the documentation process supporting the novel as well as the in-depth analysis of the verses found in Noche oscura del alma —used by Fabre to write his poetic prose passages and fictional cutting which hold up the text: segments in which the narrator or characters denounce expressive impossibility, as happened to San Juan—are revised. Based on the constants of impossibility, ineffability, and silence as analytic guides, the present work analyzes several scenes of the novel, and in the final segment this paper concludes that the “mistrusting of language”—something that Fabre reclaims and resignifies from De la Cruz—is a symptom of how literature offers resistance to the lies and terror of our current contexts, even though Fabre in this work is talking about historical events as far away in time and as in place.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Literatura Mexicana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19130/iifl.litmex.2022.33.2.7731x06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
Abstract
This paper addresses how Luis Felipe Fabre, in his novel Declaración de las canciones oscuras (Sexto Piso, 2019), represents Juan de Yepes Álvarez as a writer that was “suspicious of the language.” In order to achieve this, both the documentation process supporting the novel as well as the in-depth analysis of the verses found in Noche oscura del alma —used by Fabre to write his poetic prose passages and fictional cutting which hold up the text: segments in which the narrator or characters denounce expressive impossibility, as happened to San Juan—are revised. Based on the constants of impossibility, ineffability, and silence as analytic guides, the present work analyzes several scenes of the novel, and in the final segment this paper concludes that the “mistrusting of language”—something that Fabre reclaims and resignifies from De la Cruz—is a symptom of how literature offers resistance to the lies and terror of our current contexts, even though Fabre in this work is talking about historical events as far away in time and as in place.
本文讨论了路易斯·费利佩·法布尔在他的小说Decla-ración de las canciones oscuras (Sexto Piso, 2019)中如何将胡安·德·耶佩斯Álvarez描绘成一个“对语言持怀疑态度”的作家。为了实现这一点,支持小说的记录过程以及对《黑暗之夜》中发现的诗句的深入分析——法布尔用来写他的诗歌散文段落和支撑文本的虚构剪辑:叙述者或人物谴责表达不可能的片段,就像发生在圣胡安身上的那样——都被修改了。常数的基础上不可能,不可言说和沉默看作是分析指南,目前工作分析小说中的几个场景,并在文章最后一段总结道,“日后的语言”——法布尔回收和resignifies De la cruz被文学提供了怎样的症状resis-tance我们当前上下文的谎言和恐怖,尽管法布尔在这个工作是讨论历史事件远在时间和地方。