A Praxial Approach to Musicology in the Secondary School Curriculum

James Vincent Maiello
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Abstract

Because aesthetic philosophies, which have long dominated music education, privilege music as an aesthetic object, they minimize aspects of musicology concerned with music as a cultural practice and provide too narrow a view of music itself. This has also minimized the role of musicology in the school music curriculum. First, I argue that musicological praxis is congruent with praxial philosophies of music education and that it is appropriate for inclusion in the secondary music curriculum. Second, I offer a set of criteria and recommendations for applying this philosophy and integrating musicological praxis into that curriculum. Finally, I use two brief examples by way of illustration. I hope this paper outlines at least one path for making musicology a more integral part of curriculum and instruction and that it will provide a broadly applicable philosophical framework.
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中学课程中的音乐学实践方法
由于长期以来主导音乐教育的美学哲学将音乐作为一种审美对象,它们将音乐作为一种文化实践的音乐学方面最小化,并提供了过于狭隘的音乐本身的观点。这也最小化了音乐学在学校音乐课程中的作用。首先,我认为音乐学实践与音乐教育的实践哲学是一致的,并且适合纳入中学音乐课程。其次,我提供了一套标准和建议,以应用这一理念并将音乐学实践融入课程。最后,我用两个简单的例子来说明。我希望本文至少勾勒出一条使音乐学成为课程和教学中不可或缺的一部分的道路,并提供一个广泛适用的哲学框架。
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Spiegare le note e il tempo con le parole. Appunti per una tipologia della recensione musicale in Italia Università e conoscenze: le relazioni fruttuose Un percorso didattico sul “Rigoletto” di Verdi: «La donna è mobile» e la voce come fantasma Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta” Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020
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