“IN THE CENTRE OF OUR CIRCLE”

IF 0.2 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-07-04 DOI:10.1080/0969725X.2022.2093981
Dorothée Boulanger
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引用次数: 0

Abstract

Abstract This article examines how non-linear time and circularity are deployed in the historical novel Nehanda (1993), written by Zimbabwean author Yvonne Vera. Using Adriana Cavarero’s work on inclination, I suggest that circular time as well as spatial roundness, which pervade the novel, are mobilised to centre African women’s voices, bodies and experiences of colonial domination and anticolonial struggles. Rehabilitating women as key historical agents of anticolonial mobilisation, Vera also proceeds to re-legitimise African knowledge production and transmission by highlighting the importance of orality, prophecy and spirituality in the fight against colonialism. Through its implicit critique of verticality, Nehanda calls into question both Western historiography on Africa and African patriarchal narratives of resistance and liberation. In a colonial context where verticality, inspired by Kant’s philosophy, gestured towards the superiority of the European man as an autonomous subject, raising himself above the others, Vera highlights how Nehanda’s authority and legacy stemmed from her “relational subjectivity” (Cavarero), that is, from the strength of her connection with her people, her land and her ancestors.
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“在我们圈子的中心”
摘要本文探讨了津巴布韦作家伊冯娜·维拉(Yvonne Vera)的历史小说《奈汉达》(1993)是如何运用非线性时间和循环性的。利用阿德里亚娜·卡瓦雷罗关于倾斜的研究,我认为小说中普遍存在的圆形时间和空间的圆形,被动员起来,以非洲妇女的声音、身体和殖民统治和反殖民斗争的经历为中心。维拉还通过强调口头、预言和灵性在反殖民主义斗争中的重要性,将非洲知识的生产和传播重新合法化。通过对垂直性的含蓄批判,Nehanda对西方关于非洲的史学和非洲关于抵抗和解放的父权叙事提出了质疑。在殖民背景下,受康德哲学启发的垂直主义表明了欧洲人作为自主主体的优越性,使自己凌驾于他人之上,维拉强调了奈汉达的权威和遗产是如何源于她的“关系主体性”(卡瓦雷罗),也就是说,源于她与她的人民、她的土地和她的祖先的联系的力量。
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来源期刊
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
33.30%
发文量
57
期刊介绍: Angelaki: journal of the theoretical humanities was established in September 1993 to provide an international forum for vanguard work in the theoretical humanities. In itself a contentious category, "theoretical humanities" represents the productive nexus of work in the disciplinary fields of literary criticism and theory, philosophy, and cultural studies. The journal is dedicated to the refreshing of intellectual coordinates, and to the challenging and vivifying process of re-thinking. Angelaki: journal of the theoretical humanities encourages a critical engagement with theory in terms of disciplinary development and intellectual and political usefulness, the inquiry into and articulation of culture.
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