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Resisting Academic Neoliberalism 抵制学术新自由主义
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243155
Mark Davis
What are the prospects for critique in an age of collapse? Collapsing ecosystems, “democratic decay,” vicious “culture wars,” and changing knowledge economies all impact the conditions of possibility for academic critique. Universities have become bastions of “academic neoliberalism,” driven by managerialism, rankings, and punishing overwork. Terms such as “postcritique” capture the possibility that critique has literally “run out of steam,” as Bruno Latour famously put it. This article takes the form of a staged call to arms to address some of these issues. First, it sets out to name the combination of economic and cultural forces that constitute “academic neoliberalism,” and to propose a constructive strategy against them. Second, it critiques debates about “postcritique.” Third, it argues that academic neoliberalism can be resisted and that this is now primary business for the sciences, humanities, and social sciences. The article closes by proposing new scholarly practices based in “constitutive criticism,” explicitly oriented towards the retrograde politics of the present.
在一个崩溃的时代,批判的前景如何?生态系统的崩溃、“民主的衰败”、恶性的“文化战争”和不断变化的知识经济都影响着学术批评的可能性条件。大学已经成为“学术新自由主义”的堡垒,受到管理主义、排名和惩罚过度工作的驱动。像布鲁诺·拉图尔(Bruno Latour)的名言那样,“后批判”这样的术语抓住了批判实际上已经“失去动力”的可能性。本文采取阶段性号召的形式来解决其中的一些问题。首先,它开始命名构成“学术新自由主义”的经济和文化力量的组合,并提出一种建设性的策略来反对它们。第二,它批判了关于“后批判”的争论。第三,它认为学术上的新自由主义是可以抵制的,这是现在科学、人文和社会科学的主要业务。文章最后提出了基于“构成批评”的新的学术实践,明确地指向当前的倒退政治。
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引用次数: 0
Enjoyment With(Out) Exception 享受,除了例外
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243161
Benjamin Nicoll
While considerations of gender predominate in scholarly accounts of why and how people derive pleasure from videogame play, the question of sex remains either undertheorized or conspicuously absent from the conversation. Drawing on Jacques Lacan’s formulae of sexuation, this article argues that the jouissance (enjoyment) of videogame play is sexed rather than gendered. It theorizes two logics of enjoyment in videogame play: enjoyment with exception and enjoyment without exception. Through an analysis of the videogame Inside, it argues that the logic of enjoying without exception undergirds the libidinal satisfaction of all videogame play. To accept that the enjoyment of videogame play is predicated on such a logic, however, means to accept the ontological failure of the sexual relation. Videogame culture is subsequently founded on a disavowal of the logic of enjoying without exception and a pathological identification with the logic of enjoying with exception.
尽管性别因素在关于人们为何以及如何从电子游戏中获得乐趣的学术研究中占主导地位,但性问题要么没有理论化,要么在讨论中明显缺席。借鉴雅克·拉康(Jacques Lacan)的性征公式,本文认为电子游戏的欢爽(享受)是性的,而不是性别的。它将电子游戏乐趣的两种逻辑理论化:有例外的享受和无例外的享受。通过对电子游戏《Inside》的分析,作者认为毫无例外地享受的逻辑是所有电子游戏玩法的性欲满足的基础。然而,接受电子游戏的乐趣是基于这种逻辑,就意味着接受两性关系的本体论失败。电子游戏文化随后是建立在对毫无例外地享受的逻辑的否定和对例外地享受的逻辑的病态认同之上的。
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引用次数: 0
The Work of Art in the Age of Transmedia Production (With Regards to Walter Benjamin) 跨媒体时代的艺术作品(兼论沃尔特·本雅明)
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243159
Daniel Worden
This essay is a rewriting of Walter Benjamin’s “The Work of Art in the Age of Its Technological Reproducibility,” a classic text in critical theory and media studies. Appropriating Benjamin’s sentence, paragraph, and essay structures, the essay presents a series of theoretical reflections on the status of art during the current age of transmedia production. The essay seeks to contribute to a theory of contemporary art that moves beyond capitalist, and increasingly fascist, ideologies. As in Benjamin’s essay, this work is an effort to think dialectically about the contradictions that structure our contemporary moment, and therefore to formulate a socialist aesthetics.
这篇文章是对沃尔特·本雅明(Walter Benjamin)的《技术可复制时代的艺术作品》(The Work of Art in The Age of Its Technological Reproducibility)的改写,这是批评理论和媒体研究的经典文本。本文借用本雅明的句子、段落和文章结构,对当今跨媒体生产时代的艺术地位进行了一系列的理论反思。这篇文章试图为当代艺术理论做出贡献,这种理论超越了资本主义和日益法西斯主义的意识形态。就像本雅明的文章一样,这部作品是对构成我们当代时刻的矛盾进行辩证思考的努力,因此形成了社会主义美学。
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引用次数: 0
Can The Human Speak? 人类会说话吗?
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243160
Jishnu Guha-Majumdar
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引用次数: 0
The Ideological Aesthetic 思想美学
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243158
Udith Dematagoda, Christos Asomatos
In this paper we outline a theory that explicates the hypertrophy of the “political” in relation to contemporary art, literature, and culture. Beginning with a critique of Nicholas Bourriaud’s 2016 work The Exform, we interrogate Bourriaud’s engagement with contemporary art and Louis Althusser’s theory of ideology. We approach Bourriaud’s Althusserian source material through a consideration of its reappraisal by Warren Montag, Althusser’s own Lacanian influences, and through some surprising continuities with the thought of controversial German jurist and political theorist Carl Schmitt. Finally, we attempt to synthesize these discussions into our speculative theory of the “Ideological Aesthetic,” which addresses a conceptual gap in past theoretical discourse on ideology.
在本文中,我们概述了一个理论来解释“政治”的肥大与当代艺术、文学和文化的关系。从对尼古拉斯·布里奥2016年作品《改革》的批判开始,我们探讨了布里奥对当代艺术的参与以及路易·阿尔都塞的意识形态理论。我们通过考虑沃伦·蒙塔格对阿尔都塞的重新评价,阿尔都塞自己的拉康学派影响,以及通过一些令人惊讶的与有争议的德国法学家和政治理论家卡尔·施密特思想的连续性,来接近布里奥的阿尔都塞原始材料。最后,我们试图将这些讨论综合到我们的“意识形态美学”的思辨理论中,该理论解决了过去关于意识形态的理论话语中的概念鸿沟。
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引用次数: 0
General Issue I 2023 通用版本I 2023
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243145
Salah El Moncef
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引用次数: 0
Notes on the contributors 关于贡献者的说明
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243166
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引用次数: 0
Navigating The Psychoanalytic Symbol 驾驭精神分析符号
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243162
Tom Goodwin
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引用次数: 0
“I Just Care so Much About the Koalas” “我太关心考拉了”
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243156
Emily McAvan
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引用次数: 0
The Symbol 符号
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/0969725x.2023.2243163
Nicolas Abraham, Tom Goodwin
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引用次数: 0
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ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES
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