{"title":"Esarhaddon's Prayer in the Inscription AsBbA as Related to the mīs pî Ritual","authors":"Amitai Baruchi-Unna","doi":"10.5615/jcunestud.69.2017.0203","DOIUrl":null,"url":null,"abstract":"The prayer of Esarhaddon, incorporated in the inscription AsBbA, is the first prayer in an Assyrian royal inscription that is presented as a verbatim citation. The aim of this paper is to delineate the historiographical background for this innovation in a genre usually described as routine and formalistic. By examining descriptions of prayers said to have been recited by the king in Assyrian royal inscriptions, I analyze Esarhaddon's prayer from the aspects of its content, context, and possible linkage to prayers external to the royal inscriptions. Specifically, I examine the possible relation between the prayer in this inscription and the mīs pî ritual performed during the last phases of the process of making a divine image. This comprehensive analysis suggests that the king's prayer had been part of an early stage of such a ritual and was available to the authors of the Esarhaddon inscription.","PeriodicalId":36366,"journal":{"name":"Journal of Cuneiform Studies","volume":"69 1","pages":"203 - 212"},"PeriodicalIF":0.0000,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5615/jcunestud.69.2017.0203","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Cuneiform Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5615/jcunestud.69.2017.0203","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The prayer of Esarhaddon, incorporated in the inscription AsBbA, is the first prayer in an Assyrian royal inscription that is presented as a verbatim citation. The aim of this paper is to delineate the historiographical background for this innovation in a genre usually described as routine and formalistic. By examining descriptions of prayers said to have been recited by the king in Assyrian royal inscriptions, I analyze Esarhaddon's prayer from the aspects of its content, context, and possible linkage to prayers external to the royal inscriptions. Specifically, I examine the possible relation between the prayer in this inscription and the mīs pî ritual performed during the last phases of the process of making a divine image. This comprehensive analysis suggests that the king's prayer had been part of an early stage of such a ritual and was available to the authors of the Esarhaddon inscription.