Algorithmic precarity in cultural work

IF 1.2 Q3 COMMUNICATION Communication and the Public Pub Date : 2020-09-01 DOI:10.1177/2057047320959855
B. Duffy
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引用次数: 36

Abstract

While work in the media and cultural industries has long been considered precarious, the processes and logics of platformization have injected new sources of instability into the creative labor economy. Among the sources of such insecurity are platforms’ algorithms, which structure the production, circulation, and consumption of cultural content in capricious, enigmatic, even biased ways. Accordingly, cultural producers’ conditions and experiences are increasingly wrought by their understandings—and moreover their anticipation—of platforms’ ever-evolving algorithmic systems. Against this backdrop, I urge fellow researchers of digital culture and society to consider how this mode of “algorithmic precarity” exacerbates the instability of cultural work in the platform era. Considering the volatility of algorithms and the wider cross-platform ecology can help us to develop critical interventions into a creative economy marked by a profoundly uneven allocation of power between platforms and the laborers who populate—and increasingly—power them.
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文化工作中的算法不稳定性
虽然媒体和文化产业的工作一直被认为是不稳定的,但平台化的过程和逻辑给创造性劳动经济注入了新的不稳定因素。这种不安全感的来源之一是平台的算法,它以反复无常、神秘甚至有偏见的方式构建文化内容的生产、流通和消费。因此,文化生产者的条件和经验越来越多地受到他们对平台不断发展的算法系统的理解和期望的影响。在这种背景下,我敦促数字文化和社会的研究人员考虑这种“算法不稳定性”模式如何加剧了平台时代文化工作的不稳定性。考虑到算法的波动性和更广泛的跨平台生态,可以帮助我们对创造性经济进行关键的干预,这种经济的特征是平台和劳动者之间的权力分配极不平衡,而这些劳动者为平台提供了越来越多的权力。
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来源期刊
CiteScore
3.20
自引率
2.80%
发文量
13
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