What’s so funny? Audiences of women’s stand-up comedy and layered referential viewing: Exploring identity and power

IF 1.8 Q2 COMMUNICATION COMMUNICATION REVIEW Pub Date : 2019-04-03 DOI:10.1080/10714421.2019.1599666
S. Cooper, Amy Schumer, Wanda Sykes
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引用次数: 1

Abstract

ABSTRACT In this paper, I discuss audience reactions to stand-up clips by Amy Schumer, Wanda Sykes, and Margaret Cho. Women’s comedy is arguably at the height of its popularity, but there is a seeming lack of research on audience interpretations of humor produced by women. This research builds on and extends current notions of “referential viewing” in audience research. Utilizing focus group analysis, I elaborate audience decoding practices and the role of identity in layers of referential viewing. Audiences in this research centered their discussions on identification of the comedians, identification of the targets of jokes, and identification of whom they perceive to be the intended audience. Discussed are implications for how audiences understand various power dynamics through humor and distinctions created between comedy that “laughs with” or that “laughs at.”
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什么事这么好笑?女性单口喜剧的观众和分层参考观看:探索身份和权力
本文探讨了观众对艾米·舒默、旺达·赛克斯和玛格丽特·赵的单口喜剧片段的反应。女性喜剧可以说是最受欢迎的,但似乎缺乏关于观众对女性幽默的理解的研究。本研究建立并扩展了当前受众研究中“参考观看”的概念。利用焦点小组分析,我详细阐述了观众解码实践和身份在参照性观看层中的作用。在这项研究中,观众的讨论集中在识别喜剧演员,识别笑话的目标,以及识别他们认为谁是目标观众。讨论了观众如何通过幽默理解各种权力动态的含义,以及喜剧“笑”和“笑”之间的区别。
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来源期刊
COMMUNICATION REVIEW
COMMUNICATION REVIEW COMMUNICATION-
CiteScore
3.40
自引率
5.30%
发文量
14
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