The Importance of Self-Experience in Art for Future Generalist Teachers

IF 0.1 N/A HUMANITIES, MULTIDISCIPLINARY Tercio Creciente Pub Date : 2022-04-01 DOI:10.17561/rtc.extra6.7008
K. Štěpánková
{"title":"The Importance of Self-Experience in Art for Future Generalist Teachers","authors":"K. Štěpánková","doi":"10.17561/rtc.extra6.7008","DOIUrl":null,"url":null,"abstract":"The personal attitude of teachers towards the subject they teach, their professional self-efficacy and expertise are essential for their ability to deliver subject content to pupils. However, the relationship of future teachers to the subject is formed earlier in their own educational history than at university. From it derives their interest in the subject and further education. Our research has shown that students specialising in primary education and afterschool education have negative memories of art education at primary schools and they evaluate the subject and its benefits as marginal. \nIn this article, we will discuss how the transformation of the didactic approach when focusing more on the creative process rather than on the product can positively affect the already established relationship of future teachers to art education, and contribute to the understanding of the objectives of art education. This research was aimed at generalist teachers (primary school) and undergraduate students who will work in school clubs or as afterschool educators. The research was segmented into three phases where in the first phase of the research, we used a qualitative approach to determine the personal attitude of students to the subject of art education. In the second phase, we used the art-based approach. In this phase, didactic procedures inspired by creative art therapy and reflective experiential education were applied to change this attitude. Art-based approach was chosen mainly because it makes it possible to monitor the changes that take place in the process and at the same time, thanks to the process, it is possible to induce these changes. This type of research generates other, unexpected questions that enable a deeper understanding of the issue. In the third phase students presented their artworks and reflected on the creative processes, as well as on the course itself, its benefits, obstacles and transferable experiences. \nThe conclusion of the research is that these methods can in a very short time change the attitude to one's own creative abilities / creative self-confidence / to update and expand the perception of the subject and its goals. At the same time, a need arises for deeper professional education that would facilitate students' didactic preparation of meaningful artistic activities.","PeriodicalId":40673,"journal":{"name":"Tercio Creciente","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tercio Creciente","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17561/rtc.extra6.7008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

Abstract

The personal attitude of teachers towards the subject they teach, their professional self-efficacy and expertise are essential for their ability to deliver subject content to pupils. However, the relationship of future teachers to the subject is formed earlier in their own educational history than at university. From it derives their interest in the subject and further education. Our research has shown that students specialising in primary education and afterschool education have negative memories of art education at primary schools and they evaluate the subject and its benefits as marginal. In this article, we will discuss how the transformation of the didactic approach when focusing more on the creative process rather than on the product can positively affect the already established relationship of future teachers to art education, and contribute to the understanding of the objectives of art education. This research was aimed at generalist teachers (primary school) and undergraduate students who will work in school clubs or as afterschool educators. The research was segmented into three phases where in the first phase of the research, we used a qualitative approach to determine the personal attitude of students to the subject of art education. In the second phase, we used the art-based approach. In this phase, didactic procedures inspired by creative art therapy and reflective experiential education were applied to change this attitude. Art-based approach was chosen mainly because it makes it possible to monitor the changes that take place in the process and at the same time, thanks to the process, it is possible to induce these changes. This type of research generates other, unexpected questions that enable a deeper understanding of the issue. In the third phase students presented their artworks and reflected on the creative processes, as well as on the course itself, its benefits, obstacles and transferable experiences. The conclusion of the research is that these methods can in a very short time change the attitude to one's own creative abilities / creative self-confidence / to update and expand the perception of the subject and its goals. At the same time, a need arises for deeper professional education that would facilitate students' didactic preparation of meaningful artistic activities.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
艺术自我体验对未来通识教师的重要性
教师对所教学科的个人态度、职业自我效能感和专业知识对他们向学生提供学科内容的能力至关重要。然而,未来教师与该学科的关系是在他们自己的教育史上比在大学更早形成的。由此产生了他们对这门学科和继续教育的兴趣。我们的研究表明,专门从事小学教育和课后教育的学生对小学艺术教育有负面记忆,他们认为这门学科及其益处微不足道。在这篇文章中,我们将讨论当更多地关注创作过程而不是产品时,教学方法的转变如何对未来教师与艺术教育已经建立的关系产生积极影响,并有助于理解艺术教育的目标。这项研究的对象是通才教师(小学)和将在学校俱乐部工作或担任课后教育工作者的本科生。该研究分为三个阶段,在研究的第一阶段,我们使用定性方法来确定学生对艺术教育主题的个人态度。在第二阶段,我们使用了基于艺术的方法。在这一阶段,受创造性艺术治疗和反思性体验教育启发的教学程序被用来改变这种态度。之所以选择以艺术为基础的方法,主要是因为它可以监测过程中发生的变化,同时,由于这个过程,有可能引发这些变化。这种类型的研究会产生其他意想不到的问题,使人们能够更深入地理解这个问题。在第三阶段,学生们展示了他们的艺术作品,并反思了创作过程,以及课程本身、它的好处、障碍和可转移的体验。研究的结论是,这些方法可以在很短的时间内改变对自己创造能力/创造性自信的态度,更新和扩大对主体及其目标的感知。与此同时,需要更深入的专业教育,以促进学生为有意义的艺术活动进行教学准备。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Tercio Creciente
Tercio Creciente HUMANITIES, MULTIDISCIPLINARY-
自引率
0.00%
发文量
31
审稿时长
12 weeks
期刊最新文献
“ESCARP” Método de educación musical tecnológico y lúdico: implementación en pandemia y post pandemia La interpretación musical como proceso científico y artístico: su estudio en la obra para violonchelo de José Luis Greco (1953-) Stars and precariousness in the art world. Nociones sensibles del sujeto: una propuesta de acercamiento afectivo al cuerpo Sintonías y tensiones en la colaboración desde la relación pedagógica en el contexto Universidad-Sociedad
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1